Develop a portfolio of skills to prepare you for work within the modern music industry – and to influence its future.
|Course Duration||3 years|
This course is in Clearing
The focus will be on your practice and you’ll push stylistic and technological boundaries while developing your work and carving out your musical identity. You can choose to specialise in performance, music pedagogy, sound art or musicology, or work in a mixture of these disciplines.
- Cover a range of musical styles including avant garde, classical, jazz, folk, blues and rock to develop a broad understanding of music.
- Play regularly in ensembles, including vocal groups, laptop orchestras and Taiko drumming.
- Benefit from guest speaker artists and ensembles; recent visitors include Graham Fitkin (composer), Kenny Werner (piano), Kevos (ensemble) and Adrian Utley (Portishead).
- Do a three-month placement or internship in your third year that can take any form, from shadowing a professional composer to working with a London orchestra.
- Take advantage of our prestigious international exchange partners including Sarah Lawrence College NYC, La Salle, Nagoya University, Griffith University and Helsinki Metropolia University.
What our students do
What our graduates do
Our students have gone on to work with Elvis Costello, Madonna, Mark Ronson and the Philharmonic Orchestra.
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What you'll learn
With creativity and artistic exploration at the centre of your experience, you’ll research new ideas and cross stylistic borders in our supportive environment.
Analysing and exploring the basics of music-making, you’ll study performance, critical listening, composition, recording, theory and notation.
Audio Cultures and Critical Theory
Composition Studies: The Elements of Music
Performance Studies: Self and Sound
Core Music Practice
You’ll choose from specialist modules like Film Music, Music Education, Studio Composition, and the Music Business. Other modules will explore the latest trends in the music scene, and the right career opportunities for you. There’ll also be opportunities to study abroad with one of our partner institutions.
Creative Writing and Research in Virtual Music
Professional Music Practice
The Working Musician: Reproduce; Arrange; Mutate
The Hit Machine
The Music Educator
Music and Moving Image
You’ll begin by gaining professional experience with an off-campus project - anything from overseas community projects to working in a UK record label. When you return, you’ll work on self-devised projects, like writing an album, putting on a major performance, or composing a score.
Specialist Practice in Context
The modules above are those being studied by our students, or proposed new ones. Programme structures and modules can change as part of our curriculum enhancement and review processes. If a certain module is important to you, please discuss it with the Course Leader.
How you'll learn
You’ll study a range of ideas and techniques in lectures and seminars, collaborate with a variety of people, and find support in tutorials. Regular learning will also come through one-to-one and small group instrumental lessons, or lessons in composition or studio production.
Industry insights and expertise will come from our regular guest speakers and artists, like composer Graham Fitkin, Radiohead’s Ed O'Brien, and Island Records’ Darcus Beese.
Previous third-year Practice in Context modules have included community music-making in Kenya, researching American Folk music in New York, and working as a film composer in Sri Lanka. Local possibilities include placements in UK schools, orchestras or record labels.
How you'll spend your time
Timetabled teaching and learning activity
Guided independent study
How you'll be assessed
Assessment is a combination of practical exams and coursework.
You’ll learn from performers, composers, producers, sound artists and musicologists, working across a wide range of musical styles. Our associate staff members include instrumental tutors, composers and songwriters, industry contacts and technical support staff.
Some members of staff only teach on certain modules, and your course might not feature everyone shown here.
Samuel Murray is a guitarist, researcher and lecturer whose current projects include playing...
Dr Simon Poole
Simon has been making, selling, collecting, managing and writing about music for 30 years....
Dr D Ferrett
Dr D Ferrett is course leader for BA(Hons) Popular Music and a senior lecturer in Music. Since...
Dr Antti Saario
Dr Antti Sakari Saario is an award-winning post-acousmatic composer, educator and an audio ...
Andrea Rushton is a lecturer in Music focusing particularly on voice studies and performance....
Danielle Meunier's origins lie in classical singing and voice & speech with a BMus...
Dr Chris Best
Dr Christopher Best has been senior lecturer and principal tutor in music composition at...
Dr Chris Morgan
Chris is lecturer in formal and non-formal music education, co-ordinator of the Making Music...
Professor David Prior
David joined Falmouth as associate professor in Music and Sound Art in 2010. Now as Director of...
Dr Johny Lamb
Johny is a lecturer specialising in the study of popular music. He is a songwriter, composer,...
Jim Aitchison's practice as a composer is unique in initiating encounters with work by a range...
Professor Gregg Whelan
"A wonderful body of work" The Guardian
Gregg Whelan formed the performance...
Rick is senior lecturer in music at Falmouth, teaching mainly within the field of popular music...
Will Parker is a lecturer, researcher and composer specialising in technology and aesthetics...
Dr Simon Waite
Si Waite is a songwriter, producer and educator. He has written, recorded and performed as a...
- High-spec studios for acoustic and amplified music.
- Recording studios and practice rooms for bands and solos.
- Some of the best studio hardware, software and collection of microphones in any UK higher education institution.
- Professional theatre venue hosting visiting companies and artistes.
How to apply
104 - 120 UCAS points, primarily from Level 3 qualifications like A-levels, a BTEC Extended Diploma or a Foundation Diploma.
We’ll also consider you based on your individual merit and potential. So get in touch if:
- You’re predicted points below our requirements
- You’re thinking about transferring from another institution
- You have other qualifications or professional experience
GCSE English Language Grade 4 (C), or equivalent.
We also accept qualifications equivalent to the IELTS Academic 6.0 overall score, with at least 5.5 in Reading, Writing, Speaking and Listening.
If you need a Tier 4 student visa to study in the UK, you’ll need to take an approved Secure English Language Test (SELT).
Apply via UCAS
Enter these codes at UCAS Apply and Track
- University code F33
- Course code W300
UK/EU applications: 15 January
Late applications will be considered if there are places available.
International fee payers can apply after the deadline. But we recommend applying as early as possible, to make time for visa and travel arrangements.
Once you’ve applied, you’ll receive a Falmouth Applicant Portal login, where you’ll find more details about these requirements.
What we're looking for
We want someone who:
- Has musical ability, experience and contextual knowledge.
- Shows creativity and imagination.
- Can write and speak clearly.
- Engages with interview questions and discussion.
- Can critically discuss their portfolio or other musical examples.
- Shows ongoing engagement, motivation and creative potential.
Fees, costs & funding
Tuition fees 2019-20
£9,250 - full-time UK/EU
£15,000 - full-time international
Typical course costs
- £150 - Recurring annual costs
- £550 - Optional study visits and placements for the course duration
If you need to bring equipment or materials with you, these will be outlined in your Welcome Letter.
The figures above don't include accommodation and living costs
For information about funding available, please visit our undergraduate funding page
Ask a student
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