Film & Television MA
Explore digital culture through research and creative practice, and study film and television’s philosophy and history. By focusing on the diversity and crossover in the industry, you’ll learn to think adaptively and work creatively.
|Course Duration||1 year|
Engaging in the production workflow, you’ll explore the many creative and technical roles of producing screenmedia – so you can devise, develop and produce a filmed project with your peers. The second semester gives you the chance to specialise and shape the curriculum around your own interests in theory and practice. You’ll learn from industry professionals like Lenny Abramson, Emily Morgan and Ben Wheatley, and take on research and methodology workshops - so you can gain the skills and contacts to begin your career or PhD.
The School of Film & Television is a member of CILECT, the global association of the world's best film, television and animation schools. MA Film & Television is accredited by Creative Skillset, a mark of quality endorsed by industry professionals.
What our students do
What our graduates do
Our graduates have secured jobs at HBO, Sky and ITV, and worked on feature films including Disney’s Cinderella, About Time, and The World’s End.
What you'll learn
We’ll examine how directors like Ben Wheatley and companies like Curzon and Film4 are using multi-platform release schedules. And how brands like HBO, Amazon and Netflix are shaping what we watch and how we watch it.
Exploring the blurred lines between art and technology, you’ll learn everything from journalism to philosophy to essential research skills. Crucially, on top of learning to develop, write, produce, shoot, record, direct and edit, you’ll look into why your ideas are worth being made.
We’ll look into how the digital revolution has altered film and television, as well as the way media is produced, distributed and displayed. You’ll also explore returning traditions, and the industry’s economic, technological and cultural issues.
Guest speakers from companies like the BBC, Channel 4, Sky and Pinewood Studios will share their industry insights, and you’ll have the chance to question them as a basis for a case study. Focusing on the filmmaking process, you’ll explore different production roles, and produce a short film as part of a crew.
Theorising Contemporary Film & Television Culture
Film & Television Industry Case Study
This is your chance to specialise, choosing from a range of theory or practice modules, or a combination of both. You’ll be assessed on combination modules with either an academic essay or a practice project.
Cultural Studies to Digital Sociology
Globalisation in Film & Television
Factual Film & Television
Screenwriting for Film & Television
Boundaries and Borders: Film, Television & Transgression
The Child in Film & Television
Depending on your specialism, you’ll take one of three routes. You can produce a dissertation involving a high level of research, a complex reading of film or television, and further discussion. You can alternatively choose an Industry Practice Project, where you’ll produce a piece of creative work like a short film or television pilot. Or you can complete a Conceptual Practice Project involving an experimental film and accompanying essay.
Industry Practice Project
Conceptual Practice Project
The modules above are those being studied by our students, or proposed new ones. Programme structures and modules can change as part of our curriculum enhancement and review processes. If a certain module is important to you, please discuss it with the Course Leader.
How you'll learn
Taking place over 45 weeks and 3 semesters, you’ll choose specialisms focused on your ideal career, and learn from industry professional mentors. Our visiting lecture programme has featured critic Dr Mark Kermode, Red Riding writer Tony Grisoni, The Midnight Beast producer Mary Burke, and Green Wing writer James Henry.
The School of Film & Television has hosted Channel 4 Talent Day, and we often help our students secure placements at Warp Films and TwoFour.
- Continuous assessment with no formal examinations
- Core theory based on written assignments
- Core practice assessed on visual project and accompanying portfolios
- Elective modules all with theory/practice options
- Dissertation and/or major project in final semester
You’ll learn from active writers, producers, directors, editors, sound designers and cinematographers, while our visiting speakers have featured leading critics, the writers of Southcliffe, How I Live Now and Campus, and the producer of For Those In Peril.
Some members of staff only teach on specific modules, and your course might not feature every member shown here.
Professor Chris Morris
Christopher Morris is a documentary filmmaker and professor of documentary practice. His work...
Dr Anna Misiak
Former Fulbright Scholar at the University of Southern California, Anna Misiak ...
Dr Kingsley Marshall is Head of Film at the CILECT accredited School of Film & Television,...
Dr Neil Fox
Since arriving at Falmouth University in April 2013 I have fallen in love with Cornwall and...
I joined Falmouth University in September 2008 having moved from Swindon, I have over 40...
Before I joined Falmouth University in January 2016 I had spent 20 years working in the British...
Educated in British and North American universities, Mark was appointed lecturer in Cultural...
After graduating with a degree in History and Media from the University of Leeds, David started...
I joined the University in 1991 when I moved to Cornwall. My first role was to run the...
I graduated from the University of Hull in 2002 after taking a BA in Music Technology. Music...
After graduating from Nottingham Trent University in 1998 with and HND in Electrical and...
Dr Jem Mackay
Dr Jem Mackay is a filmmaker/artist who has been exploring collaborative systems within creative...
- 129-seat cinema, with Christie M Series 2.5k projection and 7.2 surround sound.
- Four large production studios
- Production Studio 1: multipurpose studio equipped with three Sony HXC-FB80 studio cameras, chromatte grey screen and full lighting rig. Integral live gallery including 4-input Tricaster Ultra HD production system.
- Production Studio 2: multipurpose studio and support area for studio 1.
- Production Studio 3: multipurpose studio with lighting rig.
- Production Studio 5: Specialist green screen studio with infinity cove & 360 degree subject lighting rig. Access to Xsens motion capture kit and VR/AR/MR equipment.
- Nine Mac Pro edit suites with Avid Media Composer, Adobe Creative Cloud Suite & Da Vinci Resolve.
- Two specialist grading suites featuring DaVinci Resolve and 4K preview screens.
- Two 28-seat ‘Post Hubs’ for post-production software training, equipped with dual screen Apple iMacs. Software available includes Avid Media Composer, Adobe Creative Cloud, Da Vinci resolve and Pro Tools. Production management software is also available.
- 25-seat dubbing theatre with Avid S6 mixing desk and Pro Tools Ultimate.
- Three further post-production audio suites – all equipped with Pro Tools Ultimate.
- Foley/ADR suite with access to a wide range of mics, foley traps and props.
- All post-production suites network-linked to Avid NEXIS shared storage system for seamless access and integration of projects.
- Digital cameras (HD to 4K) including Arri Alexa, RED, Sony, Canon, Blackmagic, Panasonic, and Arri SR3 and Bolex 16mm film cameras. Odyssey 7Q+ External Recorders are also available.
- Wide range of hot and cold (LED) lighting equipment including systems by Arri, Dedo & Kino Flo alongside traditional blondes and red heads.
- Grip and gimbal systems available include Free-Fly Movi M5, Wally Dolly, Indie Dolly, PD1 Dolly, Koolertron Sliders, Glidecam 2000, Libec and Camcrane Jibs.
- Audio equipment includes Sound Devices 633 mixers, recorders and an extensive range of microphones.
- Four animation software studios containing powerful Dell Precision Workstations with Cintiq 24” & 27" pen displays. Software available includes Autodesk Maya (3D), TV Paint (2D) and Foundry Nuke Studio (VFX Compositing), alongside Adobe Creative Cloud Suite.
- Dedicated stop-motion animation studio equipped with Canon EOS camera bodies, Nikon lenses, manfrotto grip and Dragonframe capture software.
How to apply
We welcome applications from those with relevant equivalent Level 6 qualifications, or relevant equivalent experience, and a demonstrable interest in the subject.
We’ll also welcome your application if you have formal or 'certified' learning (such as training courses not run by universities or colleges) and learning from work experience or self-study. This is called Accreditation of Prior Learning (APL), and should have been gained within the last five years, and equivalent to the learning outcomes of our minimum entry qualifications.
APL applicants using experience to apply should note there is a £200 application fee for entry with advanced standing or with exemption from specific modules or credit.
If English isn’t your first language, you'll need to demonstrate English language skills that are sufficiently developed for successful completion of your studies. We accept a range of recognised English language qualifications that are equivalent to the International English Language Testing System (IELTS) Academic minimum score of 6.5 overall, with a minimum of 6.0 in Reading, Writing, Speaking and Listening.
International applicants who require a Tier 4 student visa to study in the UK must take an approved Secure English Language Test (SELT) to fulfil government visa requirements, or have a recognised language test approved and vouched for by the University. Our Admissions team can help with any questions you may have about study visas or suitable language tests.
Fees, costs & funding
Tuition fees 2018-19
£8,000 - 2018-19 full-time UK/EU (£250 acceptance fee payable. This is deducted from tuition fees).
£15,000 - 2018-19 full-time international (acceptance fee up to £1,000 payable, dependent on nationality. This is deducted from tuition fees).
Typical course costs
- £50 - Recurring annual costs
- £50 - One-off costs for the course duration (compulsory trips, final portfolios or shows etc)
- £650 - Optional study visits and placements for the course duration
If you need to bring equipment or materials with you, these will be outlined in your Welcome Letter.
The figures above don't include accommodation and living costs