Dr Kingsley Marshall
Head of Film & Television
Dr Kingsley Marshall is Head of Film & Television at the CILECT and ScreenSkills accredited School of Film & Television, based within Falmouth University, UK. The department consists of over 40 staff working with over 700 undergraduate students across four degrees (BA Animation, BA Film, BA Post Production & Visual Effects, BA Television & Film Production), supplemented by a postgraduate community studying from MA level through to PhD, delivered online and on campus. He is an external examiner for MA International Creative Enterprise at Edge Hill University, in addition to the online BA and MA filmmaking courses at Raindance Film School (DMU) and on campus filmmaking courses at Edinburgh Napier University. He served as advisor on the ScreenSkills Work Experience Project in 2022.
As the lead for Screen Practice: Research and Impact in the Sound/Image Cinema Lab, a research and film production centre at Falmouth University, Kingsley is involved in short and feature film production with partners including Bosena, Film4, o-Region, Early Day Films, BBC Films, and Storm Force Films. He was executive producer on the feature films "Wilderness" (Director: Justin John Doherty) and "The Tape" (Director: Martha Tilston), both commercially released in 2021, "Long Way Back" (Director: Brett Harvey) released in cinemas in 2022, and "Enys Men" (Director: Mark Jenkin), which premiered in Cannes and was released in 2023 through the BFI in the UK and Neon in the US. Kingsley contributed to the ScreenSkills public-facing report Hybrid Work Experience Guidelines for UK Educators (FE & HE) and Screen Industry Employers published in 2022, and to the Catalysing the Cornwall Screen Sector report , which received national press attention in 2023 in its provision of a roadmap that furthered the part that universities can play in screen production.
With his own company Myskatonic, Kingsley produced "Backwoods" (Director: Ryan Mackfall), included in the BluRay release of definitive horror documentary "Woodlands Dark & Days Bewitched: A History of Folk Horror" (Dir. Kier-La Janisse, 2021) and completed production of "The Birdwatcher" (Director: Ryan Mackfall) in 2023, in addition to line producing a number of music videos. He has four further feature film projects and a TV documentary series in development. As a composer Kingsley worked with director Mark Jenkin ("Bait", "Enys Men"), writing the score for "Hard, Cracked the Wind" (2019), with Rachael Jones on "Dean Quarry" (2021), and with Paul Mulraney on the documentaries "From the Culch" (2023) and the forthcoming "Redfish".
Kingsley's academic research focuses on film and television production, music and sound in film & TV, and the the representation and use of emergent technologies in screen media. He has published widely and speaks regularly at international conferences, including events at University of Oxford, New York University, and as an invited speaker for Screenskills, Birmingham University and the School of Advanced Studies, University of London. Kingsley co-edited the collection "Philosophical Reflections on Black Mirror", published by Bloomsbury in 2022. Forthcoming are a chapter on film music in "Call Me By Your Name" for a collection edited by Edward Lamberti and Michael Williams for Intellect Books, and chapter on music use for a new collection on George A. Romero, and two pieces on Enys Men, for The Soundtrack journal and a climate change collection for Peter Lang Publishing.
Kingsley regularly interviews filmmakers, most recently publishing pieces on Anna Biller ("The Love Witch", "Diva") and Ukrainian filmmaker Iryna Tsilyk ("The Earth is as Blue as an Orange") for the MAI Journal. Prior to joining Falmouth University, Kingsley served as a critic and has written about popular culture - from film and music through to video games, the internet and literature - for over 30 publications. His writing has featured on the BBC and MTV, in Little White Lies, anthologies on hip hop and soul, and countless sleeve notes and biographies.
External Links
Qualifications
Qualifications
| Year | Qualification | Awarding body |
|---|---|---|
| 2023 | PGCert Strategic Management & Leadership | Chartered Management Institute |
| 2018 | PhD in Film: The Gulf War Aesthetic? | University of East Anglia |
| 2009 | PGDip Higher Education | Plymouth University |
| 2006 | MA History of Art & Design | Plymouth University |
| 2005 | Certificate in Education (PCET) | Plymouth University |
Honors and awards
| Year | Description |
|---|---|
| 2023 | Official selection, Neverrmade, Sheffield Documentary Film Festival |
| 2023 | Official selection, The Whickers Radio and Audio Award |
Membership of external committees
Royal Television SocietyResearch Interests
Research interests and expertise
Kingsley's academic research focuses on film and television production cultures, music and sound in film & TV, and the the representation and use of emergent technologies in screen media. As a film practitioner, Kingsley focuses on the relationship between sound design and music composition for film, and film and television production.
Research Topics
- Film & Television studies
- Screen music & sound design
- Screen production studies and cultures
- Representation of history on screen
- Use of and representation of emergent technologies in screen media
- Horror on screen
- Short and feature film development and production
- Representations of conflict and violence on Screen
Research Outputs
Publications and research outputs
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Marshall, Kingsley
(2023), Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman, In: Future Folk: Contemporary Anxieties and Possible Futures, Lexington Books, Lanham, US, ISBN: 978-1-66692-123-6 -
Marshall, Kingsley
Loydell, Rupert, (2023), David Lynch Constrained, In: A Critical Companion to David Lynch, Lexington Books, Lanham, US, ISBN: 978-1-66691, (Submitted), Item availability may be restricted. -
Marshall, Kingsley
(2022), Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381, In: The Films of Denis Villeneuve, Edinburgh University Press, Edinburgh, ISBN: 9781474497381, (Submitted) -
Marshall, Kingsley
(2021), Music as Narrator in Call Me By Your Name, In: Call Me by Your Name: Perspectives on the Film, Intellect, London, ISBN: TBC, Item availability may be restricted. -
Marshall, Kingsley
(2021), The Aesthetics of Asymmetrical Warfare: Cinematic representation of 21st Century Conflict, In: The Palgrave Handbook on Violence in Film & Media, Palgrave Macmillan., London, ISBN: 978-3031053894, Item availability may be restricted. -
Marshall, Kingsley
Loydell, Rupert, (2021), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music in Twin Peaks: Listen To The Sounds, Routledge, London, ISBN: 9783030047979 -
Loydell, Rupert
Marshall, Kingsley, (2021), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed), Routledge, London, ISBN: 9780367423131, (Submitted), Item availability may be restricted. -
Marshall, Kingsley
(2020), Allied: The Longstanding Relationship Between Composer Alan Silvestri and Director Robert Zemeckis, In: A Critical Companion to Robert Zemeckis, Lexington Books, Lanham, US, ISBN: 9781793623454, Item availability may be restricted. -
Marshall, Kingsley
(2019), You Were Never really Here: Representations of Artificial intelligence in Charlie Brooker's Black Mirror, In: Philosophical reflections on Black Mirror, Bloomsbury, London, ISBN: TBC, Item availability may be restricted. -
Marshall, Kingsley
(2019), Music as a source of narrative information in HBO's Westworld, In: Reading Westworld, Palgrave Macmillan, London, pp. 97-118, ISBN: 978-3-030-14514-9, Item availability may be restricted. -
Marshall, Kingsley
Loydell, Rupert, (2019), 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return, In: Critical Essays on Twin Peaks: The Return, Palgrave Macmillan, London, pp. 269-280, ISBN: 9783030047979 -
Marshall, Kingsley
Loydell, Rupert, (2019), ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return, In: Critical Essays on Twin Peaks: The Return, Palgrave Macmillan, New York, pp. 269-280, ISBN: 978-3-03-004797-9 -
Marshall, Kingsley
Loydell, Rupert, (2016), Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies, In: Brian Eno: Oblique Music, Bloomsbury Academic, London, ISBN: 9781441117458 -
Marshall, Kingsley
Loydell, Rupert, (2016), Eno Remixed: Collaboration & Oblique Strategies, In: Brian Eno: Oblique Music, Bloomsbury, London, ISBN: 978-1441155344, Item availability may be restricted. -
Marshall, Kingsley
(2013), The Hurt Locker: Kathryn Bigelow and Mark Boal, In: Kathryn Bigelow: Conversations, University of Mississippi Press, Mississippi, USA, ISBN: 978-1617037740 -
Marshall, Kingsley
(2012), The Cinematic Watergate: From All the President's Men to Frost/Nixon, In: Watergate Remembered, Palgrave Macmillan, London, ISBN: 978-0230116504 -
Marshall, Kingsley
(2011), Oliver Stone's Improbable W, In: Presidents in the Movies: American History and Politics on Screen, Palgrave Macmillan, London, ISBN: 978-0230113282
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Marshall, Kingsley
(2021), Shaw, Daniel; Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London: Bloomsbury., Bloomsbury, London, ISBN: 9781350162167, Item availability may be restricted.
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Marshall, Kingsley
(2023), Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-), In: MAI: Feminism and Visual Culture Journal, MAI, UK, ISSN: 2003-167x -
Marshall, Kingsley
(2023), “Can you hear me?” From script to mix – writer/director Mark Jenkin and ‘son sur le scenario’ - the act of writing sound in the script of Enys Men (2022), In: The Soundtrack, Intellect Books, UK, ISSN: 17514193, (Submitted), Item availability may be restricted. -
Marshall, Kingsley and simon harvey, O-Region
(2023), The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students., In: Film Education Journal, UCL Press, London, Educating Independent Filmmakers (7.1), ISSN: 2515-7086, (Submitted), Item availability may be restricted. -
Marshall, Kingsley
(2021), ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller, In: MAI: Feminism and Visual Culture Journal, University of Gothenburg, Online, ISSN: 2003-167x -
Loydell, Rupert
Marshall, Kingsley, (2017), Sound Mirrors: Brian Eno & Touchscreen Generative Music, In: Musicology Research, Musicology Reserach, online, pp. 27-50, ISSN: 2515-981X -
Marshall, Kingsley
Loydell, Rupert, (2016), Thinking Inside the Box: Brian Eno, music, movement and light, In: Journal of Visual Art Practice, Routledge, Abingdon, Oxon, 16 (2), pp. 104-118, ISSN: 1470-2029, Item availability may be restricted. -
Marshall, Kingsley, Shear, Tim and Truran, Chris
(2009), AltDiss: Creativity, Reflection and TV Production Practice, In: Media Education Research Journal, Auteur Publishing, Leighton Buzzard, 1 (1), pp. 79-84, ISSN: 2040-4530
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Marshall, Kingsley
Mulraney, Paul, (2023), From The Culch (Documentary, Original Soundtrack) -
Jones, Rachael and Marshall, Kingsley
(2021), Dean Quarry / with eyes that are not seen are quickly forgotten, (Submitted) -
Marshall, Kingsley
(2019), Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019), Hard, Cracked the Wind (Short Film), Early Day Films
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Marshall, Kingsley
(2023), WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN, In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University -
Fox, Neil
Annesley, Angela and Marshall, Kingsley, (2019), Making Strange: Adapting H. P. Lovecraft for the Screen, In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University -
Marshall, Kingsley
(2019), The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare., In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University -
Loydell, Rupert
Marshall, Kingsley, (2018), ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return, In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Mapping Spaces, Sound Spaces, Cremona, Italy, 22 March 2019, (Unpublished) -
Marshall, Kingsley
(2018), These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld, In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC -
Loydell, Rupert
Marshall, Kingsley, (2018), Sound Design, Music and the Birth of Evil in Twin Peaks: The Return, In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York, (Unpublished) -
Marshall, Kingsley
Loydell, Rupert, (2018), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music & The Moving Image, 27 May 2018, NYU, New York -
Marshall, Kingsley
(2018), Sound and Music Use in Twin Peaks: The Return, Dodge College, Chapman University, Los Angeles, USA -
Loydell, Rupert
Marshall, Kingsley, (2014), Thinking Outside the Box: Brian Eno, music, movement and light, Steinhardt, New York University -
Loydell, Rupert
Marshall, Kingsley, (2014), Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies, Roehampton University -
Marshall, Kingsley
(2013), Stone/Dubya: The Improbable President, In: The Films of Oliver Stone Conference, November 2013, Rider University, USA, (Unpublished)
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Marshall, Kingsley
Fox, Neil, (2019), Backwoods (Dir. Ryan Mackfall, 2019) - Short Film, Item availability may be restricted. -
Fox, Neil
(2017), 'Wilderness'
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Fox, Neil
Llinares, Dario and Marshall, Kingsley, (2015), The Cinematologists, Item availability may be restricted.
Events
Marshall, Kingsley. 2019. "A Gulf War Aesthetic? Certain Tendencies in Image, Sound and the Construction of Space in Representations of Conflict" Presented at: Music and Sound Design for the Screen Conference Maynooth University, September 2019
Events
Marshall, Kingsley. 2019. "These Violent Delights Have Violent Ends: Representations of Artificial Intelligence in HBO's Westworld" Presented at: Popular Culture Association/American Culture Association Conference Washington DC, May 2019
Events
Marshall, Kingsley & Loydell, Rupert. 2019. "Listen To The Sounds: Music and Sound Design in Twin Peaks: The Return" Presented at: Mapping Spaces/Sounding Places Conference University of Pavia, Cremona, Italy, April 2019
Events
Q&A: Developing and Producing Features: Mark Vennis (Producer: Funny Cow) Falmouth University, March 2019
Events
BFI: Comedy Genius Season Introduction, Duck Soup (McCarey, 1933) The Poly, Falmouth, December 2018
Events
Dialogues Between Art and Film Panel Chair, Aesthetica Film Festival, Theatre Royal, York, November 2018
Events
Royal Television Society: Public Event Bringing the Funny with Producers Izzy Mant (Toast of London, Peep Show, The Windsors) and James Dean (This is Jinsy) Panel Chair, Theatre Royal, Plymouth, November 2018
Events
Royal Television Society: Public Event Black Mirror: USS Callister, Anatomy of a Show with director Toby Haynes Panel Chair, May 2018
Events
Marshall, Kingsley & Loydell, Rupert. 2018. "Sound, Music and The Birth of Evil in Twin Peaks: The Return" Presented at: Music & The Moving Image Conference, New York University, June 2018
Events
Q&A: Line Producing: Michael S Constable & Filiz-Theres Erel (Make Up, Freefire) Falmouth University, May 2018
Events
Marshall, Kingsley. 2018. "Sound and Music Use in Twin Peaks: The Return" Sound and Storytelling Conference, CNA Presented at: Dodge College, Chapman University, Los Angeles, April 2018
Events
Royal Television Society Public Event Delicious: Anatomy of a Show with Dan Sefton (Writer, Producer) & Phillippa Giles (Producer) Panel Chair Royal Television Society: Breaking into Media
Events
Wilderness (Doherty, 2017) Introduction/Q&A, WTW Cinema, Truro, November 2017 Introduction/Q&A, Newlyn Filmhouse, Newlyn, November 2017 Introduction/Q&A, Cornwall Film Festival, November 2017
Events
Supporting Independent Feature Film Production Panel Chair, Aesthetica Film Festival, York, November 2017
Events
ICA Crossings Film Season: Blackboards Introduction/Q&A, WTW Cinema, Truro, September 2017 https://www.ica.art/whats-on/season/crossings-stories-migration
Events
ICA Crossings Film Season: Fire at Sea Introduction/Q&A, Newlyn Filmhouse, September 2017 Newlyn Filmhouse, September 2017 https://www.ica.art/whats-on/season/crossings-stories-migration
Events
Q&A: Alice Lowe (Director: Prevenge) Falmouth University, May 2017
Events
Royal Television Society Public Event Q&A: Toby Haynes (Director: Jonathan Strange & Mr Norrell, Sherlock, Doctor Who) TR2, Plymouth, November 2016
Events
BFI: Days of Fear and Wonder Season Introduction, THX1138 (George Lucas, 1971) & Primer (Shane Carruth, 2004) The Poly, Falmouth, November 2014
Events
Introduction: Patrick Hurley, Distribution Manager, Dogwoof Panel Chair World Documentary Conference Falmouth University, September 2014 Falmouth University
Events
Marshall, Kingsley & Loydell, Rupert. 2014. "Thinking Inside The Box: Brian Eno, Music, Movement & Light" Presented at: Music & The Moving Image Conference New York University, New York, May 2014
Events
Marshall, Kingsley & Loydell, Rupert. 2014. "Control & Surrender. Eno Remixed: Collaboration and Oblique Strategies" Presented at: Modular Form Conference Roehampton University, March 2014
Events
Marshall, Kingsley. 2013. "Stone/Dubya: The Improbable President" Presented at: The Films of Oliver Stone Conference Rider University, Princeton, New Jersey, November 2013
Events
Malady & Mortality Conference Panel Chair Falmouth University, September 2013
Events
Marshall, Kingsley. 2012. "i, Robot: What are these synthetic beings, how does cinema make use of them and, most importantly, what separates them from us?" Presented at: Sci-Fi Conference, November 2012
Events
Marshall, Kingsley & Jones, Russ. 2012. "Cinematic Spatiality & Sonic Branding" Presented at: Music & The Moving Image Conference New York University, New York, June 2012
Events
Ethnomusicology Conference Panel Chair Falmouth University, September 2011
Events
Invited Speaker Marshall, Kingsley. 2009. "Frost/Nixon: Looking for a Way Back Into the Sun" Presented at: Remembering Watergate Conference Institute for the Study of the Americas, University of London, November 2009
Events
Marshall, Kingsley, Shear, Tim & Truran, Chris. 2009. "AltDiss: Creativity, Reflection & TV Production Practice" Presented at: Media Education Summit Liverpool John Moores University, September 2009
Events
Marshall, Kingsley. 2009. "Frost/Nixon: Looking for a Way Back Into the Sun" Presented at: Nixon and the Making of Modern America Conference Rothermere American Institute, University of Oxford, May 2009
Research Students
Research degrees examined
I have examined one PhD student at Exeter University.
Number of research degree examinations
1Teaching
Areas of teaching
- dissertation
- Film Journalism/Criticism
- film production
- Film Sound
- Philosophy
- Production Studies
- Screenwriting
- Sound Design
Courses taught
- MA Film & Television
- BA(Hons) Film
- Television & Film Production BA(Hons)
- Film & Television MA (Online)
Policy engagement within Cornwall
Engagement with organisations which contribute to the development of educational, cultural or socio-economic policies in Cornwall
Royal Society for the encouragement of Arts, Manufacturers and Commerce
Royal Television Society
NAHEMI
Rebel Film Festival
Celtic Film Festival
Cornwall Film Festival
Screen Cornwall
Business Engagement
Intellectual property
Enys Men (2021, Dir: Mark Jenkin) - Executive Producer - Narrative Feature, Film4/Bosena
Long Way Back (2021, Dir: Brett Harvey) - Executive Producer - Narrative Feature, o-Region
Tape (2021, Dir: Martha Tilston) - Executive Producer - Narrative Short, Stormforce Films
Mr Whippy (2019, Dir: Rachna Suri) - Executive Producer - Narrative Short, Elation Pictures/Pia Pressure
Hard, Cracked the Wind (2019, Dir: Mark Jenkin) - Composer - Narrative Short, Early Day Films
Backwoods (2018, Dir: Ryan Mackfall) - Producer - Narrative Short, Myskatonic Films
Wilderness (2016, Dir: Justin Doherty) - Executive Producer - Narrative Feature, Baracoa Pictures
Music Composition for Film
In production
Redfish (In production, Dir: Paul Mulrnaey) - Documentary Short, Seamonster Media
St Agnes Beacon (In production, Dir: Charlie Fripp) - Experimental Short, Fieldgaze Films
Completed
From The Culch (2023, Dir: Paul Mulraney) - Documentary Short, Seamonster Media
Dean Quarry (2021, Di: Rachael Jones) - Experimental Short, Rachael Jones Films
Mr Whippy (2019, Dir: Rachna Suri) - Narrative Short, Elation Pictures/Pia Pressure
Hard, Cracked the Wind (2019, Dir: Mark Jenkin) - Narrative Short, Early Day Films
Film & Television Production
Completed
The Birdwatcher (Dir. Ryan Mackfall) - Narrative Short, Myskatonic
Backwoods (Dir. Ryan Mackfall) - Narrative Short, Myskatonic
In development
Nevermade - 6 x episode documentary series
C-H-A-I-N (Writer Ryan Mackfall) - Feature Film
Whisperer (Writer Lachlan Marks) - Feature film
Horse Piss for Blood (Writer Carl Grose) - Feature Film
Business start ups
Myskatonic Films
Business engagement case studies
Feature Films
Theatrical Release 2023
Enys Men (2022, Dir: Mark Jenkin) - Narrative Feature, Film4/Bosena, Distributed by BFI in UK/Ireland, Neon in US
Theatrical Release 2022
Long Way Back (2022, Dir: Brett Harvey) - Narrative Feature, o-Region
Theatrical Release 2021
Tape (2021, Dir: Martha Tilston) - Narrative Feature, Stormforce Films
Streaming Release 2021
Wilderness (2016, Dir: Justin Doherty) - Narrative Feature, Baracoa Pictures
Theatrical Release 2020
Make Up (2020, Dir: Claire Oakley) - Narrative Feature, Creative England/BBC Films
Theatrical Release 2019
Bait (2017, Dir: Mark Jenkin) - Narrative Feature, Early Day Films
Theatrical Release 2016
Brown Willy (2015, Dir: Brett Harvey) - Narrative Feature, o-Region
Short Films
The Birdwatcher (2023, Dir: Ryan Mackfall) - Narrative Short, Myskatonic Films
From The Culch (2023, Dir: Paul Mulraney) - Documentary Short, Seamonster Media
Mr Whippy (2019, Dir: Rachna Suri) - Narrative Short, Elation Pictures/Pia Pressure
Hard, Cracked the Wind (2019, Dir: Mark Jenkin) - Narrative Short, Early Day Films
Backwoods (2018, Dir: Ryan Mackfall) - Narrative Short, Myskatonic Films
Bronco's House (2014, Dir: Mark Jenkin) - Narrative Featurette, Western Light Pictures
To The Sea (2013, Dir: Corin Taylor) - Narrative Short
Work Placement Schemes
DMS Work Placement Programme (2022-)
BBC Talent Pool (2020-)
Beagle Graduate Placement Scheme (2018-)
DRG Work Placement Programme (2017-)
Envy Academy Post Production Placement Programme (2017-)
Screen Cornwall Graduate Shorts Scheme (2017-)
NBC/Universal Hothouse Placement Programme (2014-2022)
Big Screen Placement Programme
Little White Lies Placement Programme
Warp Films Work Placement Programme
BFI Film Academy (Delivery partner) Screen Cornwall
Consultancy and facility services
Contributor
Screen Cornwall "Catalysing the Cornwall Screen Sector", 2023
ScreenSkills "Hybrid Work Experience Guidelines for UK Educators (FE & HE) and Screen Industry Employers", 2022
Professional Engagement
Independent professional practice
Podcasts
- Cinematologists, Episode 143: Cannes 2022
- Cinematologists, Episode 100: 5 Years and One Hundred Episodes
- Cinematologists, Episode 74: Duck Soup (part of BFI Comedy Season)
- Cinematologists, Episode 68: Juice
- Cinematologists, Episode 53: A New Leaf
- Cinematologists, Episode 52: Fire At Sea
- Cinematologists, Episode 38: Robocop
- Cinematologists, Episode 34: The War Room
- Cinematologists, Episode 23: Blue Steel
- Cinematologists, Episode 12: Planes, Trains and Automobiles
- Cinematologists, Episode 10: 12 Angry Men
Print Journalism
- Wild Style: Looking for the Perfect Beat: Charlie Hearn Interview. In Clash magazine.
- Rio Breaks: Surfing and Surviving in the Favela: Vince Medeiros Interview. In Sabotage Times.
- The Sound Designer: Greg Hedgpath Interview. In Sabotage Times.
- Trust Me: Music, Movies, Marvin Hamlisch and Me. In Clash magazine.
- Fear is the Mindkiller: John Carpenter Interview. In Clash magazine.
- Radio, On: Coldcut Interview. In Clash magazine.
- The Editors: Interviews with Walter Murch, Julian Clarke, Chris Innis and Joe Klotz. In Little White Lies magazine
- We Took Pelham: David Shire Interview. In Shook magazine.
- Music Supervisers: Jon Stewart Interview, In Clash magazine.
- Sound Designers: Ben Burtt Interview. In Clash magazine.
- The Sounds of Sci-Fi: Lalo Schifrin Interview. In Little White Lies magazine.
- Composers: Interviews with Lalo Schifrin, John Cameron, David Shire, Leah Curtis. Amon Tonin. In Clash magazine.
- On Joe Meek: Music Biopics: Nick Moran Interview. In Clash magazine.
- Inside The Hurt Locker: Kathryn Bigelow & Mark Boal Interview. In Little White Lies magazine.
- The Library of Forgotten Anguish: Walter Murch Interview. In Little White Lies magazine.
Social, community and cultural engagement
Screenskills Congress, 2023
Invited Speaker: Broadening Student’s Thinking and Opportunities
Birmingham University, 2023
Invited Speaker: Safe Management of Student Film Production
Screenskills Congress, 2022
Invited Speaker/Chair: Building a Supportive Community for Talent
Royal Television Society Public Event, 2021
Joel Collins: Production Design in BBC/HBO’s His Dark Materials.
BBC Radio/BBC Sounds, 2021
Mel Osborne: Interview, Wilderness Feature Film.
BBC Radio/BBC Sounds, 2020
Jack Murley: Interview, What Makes a Great Movie Soundtrack?
ICA: Frames of Representation, 2020
Aesthetica Film Festival, 2019
Panel: Dialogues Between Art and Film.
BFI: Comedy Genius Season, 2018
Introduction, Duck Soup (McCarey, 1933)
The Poly
Royal Television Society Public Event, 2018
Black Mirror: USS Callister - Anatomy of a Show
with Director Toby Haynes
Royal Television Society Public Event, 2018
Bringing the Funny
with Producers Izzy Mant (Toast of London, Peep Show, The Windsors) and James Dean (This is Jinsy)
Aesthetica Film Festival, 2017
Supporting Independent Feature Film Production
Engagement with professional associations and societies
- British Academy of Film & Television Arts (BAFTA Connect)
- Royal Television Society
- Media, Communication and Cultural Studies Association (MECCSA)
- British Association of Film, Television and Screen Studies (BAFTSS)
- Popular Culture Association
- The International Association of Film and Television Schools (CILECT)
- National Association for Higher Education in the Moving Image (NAHEMI
- Kodak, Educational Partner
- Producers Guild of Great Britain, Educational Partner
Professional esteem indicators
| Year | Description |
|---|---|
| 2022 | Kingsley Marshall, Development Producer for Myskatonic. |
| 2023 | Horse Piss for Blood (Writer, Carl Grose), Narrative Feature Film Treatment. |
| 2022 | Kingsley Marshall, Development Producer for o-Region. BFI Early Development Fund. |
| 2020 | External Examiner, Doctor of Philosophy in Film by Practice, Exeter University |
| 2019 | Executive Producer Mr Whippy (2019, Dir: Rachna Suri), Narrative Short |
| 2019 | Fellow Royal Society for the encouragement of Arts, Manufactures and Commerce |
| 2019 | Composer Hard, Cracked the Wind (Short Film, Director Mark Jenkin, 2019) |
| 2018 | Editorial Board Member Musicology Research Journal (MRJ) (ISSN 2515-981X) |
| 2018 | External Examiner, University of the West of England |
| 2018 | Jury Member Rebel Film Festival |
| 2018 | Producer Backwoods (Short Film, Director Ryan Mackfall, 2018) |
| 2018 | Reader Nick Darke Writer's Award |
| 2018 | Chair, Royal Television Society: Devon & Cornwall |
| 2018 | Staff Excellence Awards, Falmouth University |
| 2017 | Executive Producer Wilderness (Feature Film, Director Justin Doherty, 2017) |
| 2017 | Reader Nick Darke Writer's Award |
| 2017 | Staff Excellence Awards, Falmouth University |
| 2016 | Jury Member, Student Awards Royal Television Society |
| 2016 | Reader Nick Darke Writer's Award |
| 2015 | External Examiner BA (Hons) Film, TV and Digital Production Bath Spa University |
| 2015 | Jury Member, National Selection Celtic Media Festival |
| 2014 | External Examiner Revalidation of film and television courses Southampton Solent University |
| 2014 | Peer Reviewer Journal of Media Practice |
| 2014 | Reader Nick Darke Writer's Award |
| 2014 | Peer Reviewer Alphaville Journal |
| 2013 | Jury Member Films Without Borders |
