Dr Kingsley Marshall

Head of Film & Television

Dr Kingsley Marshall is Head of the CILECT and ScreenSkills accredited School of Film and Television, based within Falmouth University, UK. The department consists of over 40 staff working with over 700 undergraduate students across four degrees (BA Animation, BA Film, BA Post Production and Visual Effects, BA Television and Film Production), supplemented by a postgraduate community studying from MA level across four postgraduate degrees (MA Feature Filmmaking, MA Film & Television (Online and On Campus) and MA Prosthetic Effects), through to PhD, delivered online and on campus. Kingsley is an external examiner for the MA International Creative Enterprise at Edge Hill University, the online BA and MA filmmaking courses at Raindance Film School (DMU), and the on-campus filmmaking courses at Edinburgh Napier University.

As the RKE lead for Screen Practice: Research and the Development Lead and a Producer in the Sound/Image Cinema Lab, a research and film production centre at Falmouth University, Kingsley is involved in short and feature film production with partners including Bosena, Film4, BFI, o-region, Early Day Films, BBC Films, and Storm Force Films. He was executive producer on the feature films "Wilderness" (Director: Justin John Doherty) and "The Tape" (Director: Martha Tilston), both released in 2021, "Long Way Back" (Director: Brett Harvey) released in cinemas in 2022, and "Enys Men" (Director: Mark Jenkin), which premiered in Cannes and was released in 2023 through the BFI in the UK and Neon in the US. He is an executive producer on Mark Jenkin's new feature film "Rose of Nevada", was associate producer on "Ebony and Ivory" (Jim Hosking 2024) on the feature documentary "Atlas Pool" (Dir. Jane Darke and Andrew Tebbs 2025).

With his own company Myskatonic, Kingsley produced "Backwoods" (Director: Ryan Mackfall), included in the BluRay release of definitive horror documentary "Woodlands Dark and Days Bewitched: A History of Folk Horror" (Dir. Kier-La Janisse) and completed production of "The Birdwatcher" (Director: Ryan Mackfall) in 2024, which premiered at FRIGHTFEST as part of Glasgow Film Festival in 2025. In addition, Kingsley line-produced music videos for Amon Amarth in 2022 and Bruce Dickinson in 2023 and has five feature film projects, TV dramas and a TV documentary series in development. As a composer, he has worked with director Mark Jenkin ("Bait", "Enys Men"), writing the score for "Hard, Cracked the Wind" (2019), with Rachael Jones on "Dean Quarry" (2021), and with Paul Mulraney on the documentaries "From the Culch" (2023) and the forthcoming "Redfish".

Kingsley co-edited "Philosophical Reflections on Black Mirror", published by Bloomsbury, and is a specialist in film and television production, film and television music, ecosophical filmmaking practice, and the use and representation of technology on screen. He has published work on filmmakers including David Lynch, Denis Villeneuve, Nia DaCosta, Anna Biller, Luca Guadagnino, Robert Zemeckis, Lisa Joy, Jonathan Nolan, and Kathryn Bigelow, and speaks regularly at international conferences, including events at University of Oxford, New York University, and as an invited speaker for Screenskills, Birmingham University and the School of Advanced Studies, University of London. Forthcoming is a chapter on film music for a new collection on George A. Romero.

Kingsley is currently working as the principal investigator at Falmouth University, alongside filmmakers Dr Rachael Jones and Scott Barley, for the Innovate UK £1.04m funded R&D project Charismatic, partnered with CharismaAI, UAL's Creative Computing Institute, Channel 4, and Aardman, exploring the use of AI in the creative industries.

External Links

Kingsley Marshall book cover Philosophical Reflections on Black Mirror

Contact details

Telephone 01326 254176
Email kingsley.marshall@falmouth.ac.uk
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Reading Westworld book cover
Twin Peaks - Kingsley Marshall

    Qualifications

    Qualifications

    Year Qualification Awarding body
    2023 PGCert Strategic Management & Leadership Chartered Management Institute
    2018 PhD in Film: The Gulf War Aesthetic? University of East Anglia
    2009 PGDip Higher Education Plymouth University
    2006 MA History of Art & Design Plymouth University
    2005 Certificate in Education (PCET) Plymouth University

    Honors and awards

    Year Description
    2023

    Official selection, Neverrmade, Sheffield Documentary Film Festival
    2023

    Official selection, The Whickers Radio and Audio Award
    2019

    Staff Excellence Award
    2017

    Staff Excellence Award

    Membership of external committees

    Royal Television Society

    Research Interests

    Research interests and expertise

    Kingsley's academic research focuses on film and television production cultures, music and sound in film & TV, and the representation and use of emergent technologies in screen media. As a film practitioner, Kingsley focuses on the relationship between sound design and music composition for film, and film and television production.

    Research Topics

    • Film and Television studies
    • Use of and representation of emergent technologies in screen media
    • Screen music and sound design
    • Screen production studies and cultures
    • Representation of history on screen
    • Horror on screen
    • Short and feature film development and production
    • Representations of conflict and violence on screen

    Research Outputs

    Publications and research outputs

    • Marshall, Kingsley

      Loydell, Rupert, (2024), ‘David Lynch Constrained on Dune’., In: A Critical Companion to David Lynch, Lexington Books, Lanham, US, ISBN: 978166691, (Submitted), Item availability may be restricted.

    • Marshall, Kingsley

      (2024), 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change', In: Communicating a World-in-Crisis, Peter Lang, Oxford, pp. 179-199, ISBN: 9781636671864, Item availability may be restricted.

    • Marshall, Kingsley

      (2023), ‘Music as Narrator in Call Me by Your Name’., In: Call Me by Your Name: Perspectives on the Film, Intellect, Bristol, ISBN: 9781789389425, Item availability may be restricted.

    • Marshall, Kingsley

      (2023), Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman, In: Future Folk: Contemporary Anxieties and Possible Futures, Lexington Books, Lanham, US, ISBN: 978-1-66692-123-6

    • Marshall, Kingsley

      (2022), Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381, In: The Films of Denis Villeneuve, Edinburgh University Press, Edinburgh, pp. 178-193, ISBN: 9781474497381

    • Marshall, Kingsley

      (2022), Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan, In: The Palgrave Handbook on Violence in Film & Media, Palgrave Macmillan., London, pp. 257-273, ISBN: 978-3031053894, Item availability may be restricted.

    • Marshall, Kingsley

      Loydell, Rupert, (2021), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music in Twin Peaks: Listen To The Sounds, Routledge, London, ISBN: 9783030047979

    • Loydell, Rupert

      Marshall, Kingsley, (2021), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed), Routledge, London, ISBN: 9780367423131, (Submitted), Item availability may be restricted.

    • Marshall, Kingsley

      (2021), Marshall, Kingsley. 2022. ‘Introduction: Charlie Brooker’s Artistic Vision’, ‘You Were Never Really Here: Representations of Artificial Intelligence in Black Mirror’ and ‘Conclusion’. In Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London, UK: Bloomsbury., In: Philosophical reflections on Black Mirror, Bloomsbury, London, pp. 114-128, ISBN: 9781350162198, Item availability may be restricted.

    • Marshall, Kingsley

      (2020), Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books, In: A Critical Companion to Robert Zemeckis, Lexington Books, Lanham, US, pp. 75-89, ISBN: 9781793623454, Item availability may be restricted.

    • Marshall, Kingsley

      (2019), Music as a source of narrative information in HBO's Westworld, In: Reading Westworld, Palgrave Macmillan, London, pp. 97-118, ISBN: 978-3-030-14514-9

    • Marshall, Kingsley

      Loydell, Rupert, (2019), 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return, In: Critical Essays on Twin Peaks: The Return, Palgrave Macmillan, London, pp. 269-280, ISBN: 9783030047979

    • Marshall, Kingsley

      Loydell, Rupert, (2019), ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return, In: Critical Essays on Twin Peaks: The Return, Palgrave Macmillan, New York, pp. 269-280, ISBN: 978-3-03-004797-9

    • Marshall, Kingsley

      Loydell, Rupert, (2016), Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies, In: Brian Eno: Oblique Music, Bloomsbury Academic, London, ISBN: 9781441117458

    • Marshall, Kingsley

      Loydell, Rupert, (2016), Eno Remixed: Collaboration & Oblique Strategies, In: Brian Eno: Oblique Music, Bloomsbury, London, ISBN: 978-1441155344, Item availability may be restricted.

    • Marshall, Kingsley

      (2013), The Hurt Locker: Kathryn Bigelow and Mark Boal, In: Kathryn Bigelow: Conversations, University of Mississippi Press, Mississippi, USA, ISBN: 978-1617037740

    • Marshall, Kingsley

      (2012), The Cinematic Watergate: From All the President's Men to Frost/Nixon, In: Watergate Remembered, Palgrave Macmillan, London, ISBN: 978-0230116504

    • Marshall, Kingsley

      (2011), Oliver Stone's Improbable W, In: Presidents in the Movies: American History and Politics on Screen, Palgrave Macmillan, London, ISBN: 978-0230113282

    • Marshall, Kingsley

      (2022), Shaw, Daniel; Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London: Bloomsbury., Bloomsbury, London, ISBN: 9781350162167, Item availability may be restricted.

    • Marshall, Kingsley

      (2024), Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193, In: The Soundtrack, Intellect Books, UK, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15), pp. 45-59, ISSN: 17514193

    • Marshall, Kingsley and Harvey, Simon

      (2024), The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students, In: Film Education Journal, UCL Press, UK, 6 (1), pp. 17-29, ISSN: 2515-7086

    • Marshall, Kingsley

      (2023), Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-), In: MAI: Feminism and Visual Culture Journal, MAI, UK, ISSN: 2003-167x

    • Marshall, Kingsley and simon harvey, O-Region

      (2023), The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students., In: Film Education Journal, UCL Press, London, Educating Independent Filmmakers (7.1), ISSN: 2515-7086, (Submitted), Item availability may be restricted.

    • Marshall, Kingsley

      (2021), ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller, In: MAI: Feminism and Visual Culture Journal, University of Gothenburg, Online, ISSN: 2003-167x

    • Loydell, Rupert

      Marshall, Kingsley, (2017), Sound Mirrors: Brian Eno & Touchscreen Generative Music, In: Musicology Research, Musicology Reserach, online, pp. 27-50, ISSN: 2515-981X

    • Marshall, Kingsley

      Loydell, Rupert, (2016), Thinking Inside the Box: Brian Eno, music, movement and light, In: Journal of Visual Art Practice, Routledge, Abingdon, Oxon, 16 (2), pp. 104-118, ISSN: 1470-2029, Item availability may be restricted.

    • Marshall, Kingsley, Shear, Tim and Truran, Chris

      (2009), AltDiss: Creativity, Reflection and TV Production Practice, In: Media Education Research Journal, Auteur Publishing, Leighton Buzzard, 1 (1), pp. 79-84, ISSN: 2040-4530

    • Marshall, Kingsley

      Mulraney, Paul, (2023), From The Culch (Documentary, Original Soundtrack)

    • Jones, Rachael and Marshall, Kingsley

      (2021), Dean Quarry / with eyes that are not seen are quickly forgotten, (Submitted)

    • Marshall, Kingsley

      (2019), Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019), Hard, Cracked the Wind (Short Film), Early Day Films

    • Marshall, Kingsley

      (2023), WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN, In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University

    • Fox, Neil

      Annesley, Angela and Marshall, Kingsley, (2019), Making Strange: Adapting H. P. Lovecraft for the Screen, In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University

    • Marshall, Kingsley

      (2019), The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare., In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University

    • Loydell, Rupert

      Marshall, Kingsley, (2018), ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return, In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Mapping Spaces, Sound Spaces, Cremona, Italy, 22 March 2019, (Unpublished)

    • Marshall, Kingsley

      (2018), These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld, In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC

    • Loydell, Rupert

      Marshall, Kingsley, (2018), Sound Design, Music and the Birth of Evil in Twin Peaks: The Return, In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York, (Unpublished)

    • Marshall, Kingsley

      Loydell, Rupert, (2018), Sound Design, Music and The Birth of Evil in Twin Peaks: The Return, In: Music & The Moving Image, 27 May 2018, NYU, New York

    • Marshall, Kingsley

      (2018), Sound and Music Use in Twin Peaks: The Return, Dodge College, Chapman University, Los Angeles, USA

    • Loydell, Rupert

      Marshall, Kingsley, (2014), Thinking Outside the Box: Brian Eno, music, movement and light, Steinhardt, New York University

    • Loydell, Rupert

      Marshall, Kingsley, (2014), Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies, Roehampton University

    • Marshall, Kingsley

      (2013), Stone/Dubya: The Improbable President, In: The Films of Oliver Stone Conference, November 2013, Rider University, USA, (Unpublished)

    • Marshall, Kingsley

      Fox, Neil, (2019), Backwoods (Dir. Ryan Mackfall, 2019) - Short Film, Item availability may be restricted.

    • Fox, Neil

      (2017), 'Wilderness'

    • Fox, Neil

      Llinares, Dario and Marshall, Kingsley, (2015), The Cinematologists, Item availability may be restricted.

    • Mulraney, Paul

      Marshall, Kingsley, Edney, Andrew and Seamonster Media, (2023), From the Culch: Film, In: Tides of Connection, Cornwall Film Festival, 19/11/23, Flushing, Falmouth

    Events

    2019

    Marshall, Kingsley. 2019. "A Gulf War Aesthetic? Certain Tendencies in Image, Sound and the Construction of Space in Representations of Conflict" Presented at: Music and Sound Design for the Screen Conference Maynooth University, September 2019

    Events

    2019

    Marshall, Kingsley. 2019. "These Violent Delights Have Violent Ends: Representations of Artificial Intelligence in HBO's Westworld" Presented at: Popular Culture Association/American Culture Association Conference Washington DC, May 2019

    Events

    2019

    Marshall, Kingsley & Loydell, Rupert. 2019. "Listen To The Sounds: Music and Sound Design in Twin Peaks: The Return" Presented at: Mapping Spaces/Sounding Places Conference University of Pavia, Cremona, Italy, April 2019

    Events

    2019

    Q&A: Developing and Producing Features: Mark Vennis (Producer: Funny Cow) Falmouth University, March 2019

    Events

    2018

    BFI: Comedy Genius Season Introduction, Duck Soup (McCarey, 1933) The Poly, Falmouth, December 2018

    Events

    2018

    Dialogues Between Art and Film Panel Chair, Aesthetica Film Festival, Theatre Royal, York, November 2018

    Events

    2018

    Royal Television Society: Public Event Bringing the Funny with Producers Izzy Mant (Toast of London, Peep Show, The Windsors) and James Dean (This is Jinsy) Panel Chair, Theatre Royal, Plymouth, November 2018

    Events

    2018

    Royal Television Society: Public Event Black Mirror: USS Callister, Anatomy of a Show with director Toby Haynes Panel Chair, May 2018

    Events

    2018

    Marshall, Kingsley & Loydell, Rupert. 2018. "Sound, Music and The Birth of Evil in Twin Peaks: The Return" Presented at: Music & The Moving Image Conference, New York University, June 2018

    Events

    2018

    Q&A: Line Producing: Michael S Constable & Filiz-Theres Erel (Make Up, Freefire) Falmouth University, May 2018

    Events

    2018

    Marshall, Kingsley. 2018. "Sound and Music Use in Twin Peaks: The Return" Sound and Storytelling Conference, CNA Presented at: Dodge College, Chapman University, Los Angeles, April 2018

    Events

    2017

    Royal Television Society Public Event Delicious: Anatomy of a Show with Dan Sefton (Writer, Producer) & Phillippa Giles (Producer) Panel Chair Royal Television Society: Breaking into Media

    Events

    2017

    Wilderness (Doherty, 2017) Introduction/Q&A, WTW Cinema, Truro, November 2017 Introduction/Q&A, Newlyn Filmhouse, Newlyn, November 2017 Introduction/Q&A, Cornwall Film Festival, November 2017

    Events

    2017

    Supporting Independent Feature Film Production Panel Chair, Aesthetica Film Festival, York, November 2017

    Events

    2017

    ICA Crossings Film Season: Blackboards Introduction/Q&A, WTW Cinema, Truro, September 2017 https://www.ica.art/whats-on/season/crossings-stories-migration

    Events

    2017

    ICA Crossings Film Season: Fire at Sea Introduction/Q&A, Newlyn Filmhouse, September 2017 Newlyn Filmhouse, September 2017 https://www.ica.art/whats-on/season/crossings-stories-migration

    Events

    2017

    Q&A: Alice Lowe (Director: Prevenge) Falmouth University, May 2017

    Events

    2016

    Royal Television Society Public Event Q&A: Toby Haynes (Director: Jonathan Strange & Mr Norrell, Sherlock, Doctor Who) TR2, Plymouth, November 2016

    Events

    2014

    BFI: Days of Fear and Wonder Season Introduction, THX1138 (George Lucas, 1971) & Primer (Shane Carruth, 2004) The Poly, Falmouth, November 2014

    Events

    2014

    Introduction: Patrick Hurley, Distribution Manager, Dogwoof Panel Chair World Documentary Conference Falmouth University, September 2014 Falmouth University

    Events

    2014

    Marshall, Kingsley & Loydell, Rupert. 2014. "Thinking Inside The Box: Brian Eno, Music, Movement & Light" Presented at: Music & The Moving Image Conference New York University, New York, May 2014

    Events

    2014

    Marshall, Kingsley & Loydell, Rupert. 2014. "Control & Surrender. Eno Remixed: Collaboration and Oblique Strategies" Presented at: Modular Form Conference Roehampton University, March 2014

    Events

    2013

    Marshall, Kingsley. 2013. "Stone/Dubya: The Improbable President" Presented at: The Films of Oliver Stone Conference Rider University, Princeton, New Jersey, November 2013

    Events

    2013

    Malady & Mortality Conference Panel Chair Falmouth University, September 2013

    Events

    2012

    Marshall, Kingsley. 2012. "i, Robot: What are these synthetic beings, how does cinema make use of them and, most importantly, what separates them from us?" Presented at: Sci-Fi Conference, November 2012

    Events

    2012

    Marshall, Kingsley & Jones, Russ. 2012. "Cinematic Spatiality & Sonic Branding" Presented at: Music & The Moving Image Conference New York University, New York, June 2012

    Events

    2011

    Ethnomusicology Conference Panel Chair Falmouth University, September 2011

    Events

    2009

    Invited Speaker Marshall, Kingsley. 2009. "Frost/Nixon: Looking for a Way Back Into the Sun" Presented at: Remembering Watergate Conference Institute for the Study of the Americas, University of London, November 2009

    Events

    2009

    Marshall, Kingsley, Shear, Tim & Truran, Chris. 2009. "AltDiss: Creativity, Reflection & TV Production Practice" Presented at: Media Education Summit Liverpool John Moores University, September 2009

    Events

    2009

    Marshall, Kingsley. 2009. "Frost/Nixon: Looking for a Way Back Into the Sun" Presented at: Nixon and the Making of Modern America Conference Rothermere American Institute, University of Oxford, May 2009

    Research Students

    Research degrees examined

    I have examined two PhD students at Exeter University, and an MRes student at Edge Hill University

     

    Number of research degree examinations

    3

    Teaching

    Areas of teaching

    • dissertation
    • Film Journalism/Criticism
    • film production
    • Film Sound
    • Philosophy
    • Production Studies
    • Screenwriting
    • Sound Design

    Courses taught

    • MA Film & Television
    • BA(Hons) Film
    • Television & Film Production BA(Hons)
    • Film & Television MA (Online)
    • Feature Filmmaking MA
    • Sound Design BA(Hons)

    Policy engagement within Cornwall

    Engagement with organisations which contribute to the development of educational, cultural or socio-economic policies in Cornwall

    TV Access Project
    Screen Cornwall
    BFI Film Academy
    Royal Society for the encouragement of Arts, Manufacturers and Commerce
    Royal Television Society
    NAHEMI
    Rebel Film Festival
    Celtic Film Festival
    Cornwall Film Festival

    Business Engagement

    Intellectual property

    Film & Television Production

    Completed
    The Birdwatcher (2025, Dir. Ryan Mackfall) - Producer, Narrative Short, Myskatonic
    Backwoods (2018, Dir: Ryan Mackfall) - Producer - Narrative Short, Myskatonic

    Screenwriter
    There Were Nine Children Left, with Lucy Grace - Feature Film
    The Centurion - Feature Film
    Fear of Shallow Living, from a story by Lucy Grace - Short Film

    Development Producer
    Ghost Stories 6 x 60' episode drama series
    Nevermade - 6 x 30' episode documentary series
    C-H-A-I-N (Writer Ryan Mackfall) - Feature Film
    Whisperer (Writer Lachlan Marks) - Feature Film
    Horse Piss for Blood (Writer Carl Grose) - Feature Film
    Prince of Whales (Writer Tom Keenan) - Feature Film

    Music Composition for Film

    Completed
    From The Culch (2023, Dir: Paul Mulraney) - Documentary Short, Seamonster Media
    Dean Quarry (2021, Di: Rachael Jones) - Experimental Short, Rachael Jones Films
    Hard, Cracked the Wind (2019, Dir: Mark Jenkin) - Narrative Short, Early Day Films

    In production
    Redfish (In production, Dir: Paul Mulraney) - Documentary Short, Seamonster Media
    St Agnes Beacon (In production, Dir: Charlie Fripp) - Experimental Short, Fieldgazer Films

    Business start ups

    Myskatonic Films
    https://www.myskatonic.co/

    Business engagement case studies

    Feature Films Completed

    Rose of Nevada (2025), Dir. Mark Jenkin) - Executive Producer - Narrative Feature, BFI/Film4/Bosena
    Atlas Pool (2025, Dir. Jane Dark and Andrew Tebbs) - Associate Producer - Documentary Feature, Boatshed Films
    Ebony and Ivory (2024, Dir: Jim Hosking) - Associate Producer - Narrative Feature, Bosena
    Enys Men (2021, Dir: Mark Jenkin) - Executive Producer - Narrative Feature, Film4/Bosena
    Long Way Back (2021, Dir: Brett Harvey) - Executive Producer - Narrative Feature, o-region
    The Tape (2021, Dir: Martha Tilston) - Executive Producer - Narrative Feature, Stormforce Films

    Theatrical Release 2023
    Enys Men (2022, Dir: Mark Jenkin) - Executive Producer, Narrative Feature, Film4/Bosena, Distributed by BFI in UK/Ireland, Neon in US

    Theatrical Release 2022
    Long Way Back (2022, Dir: Brett Harvey) - Executive Producer, Narrative Feature, o-Region

    Theatrical Release 2021
    The Tape (2021, Dir: Martha Tilston) - Executive Producer, Narrative Feature, Stormforce Films

    Theatrical Release 2020
    Make Up (2020, Dir: Claire Oakley) - For Falmouth University, Narrative Feature, Creative England/BBC Films

    Streaming Release 2021
    Wilderness (2016, Dir: Justin Doherty) - Executive Producer, Narrative Feature, Baracoa Pictures

    Theatrical Release 2019
    Bait (2017, Dir: Mark Jenkin) - Narrative Feature, Early Day Films

    Theatrical Release 2016
    Brown Willy (2015, Dir: Brett Harvey) - Narrative Feature, o-region

    Music Video
    Bruce Dickinson - Rain on the Graves, 2024 - line producer, music video, Myskatonic
    Amon Amarth - Put Your Back into The Oar, 2022 - line producer, music video, Crashburn

    Short Films Completed
    The Devil's Footprints (2023, Dir. Dean Puckett) - executive producer - Narrative Short
    Dog Years (2021, Dir: Nat Willcox) - executive producer - Narrative Short
    Mr Whippy (2019, Dir: Rachna Suri) - executive producer - Narrative Short, Elation Pictures/Pia Pressure
    Hard, Cracked the Wind (2019, Dir: Mark Jenkin) - executive producer - Narrative Short, Early Day Films
    Bronco's House (2014, Dir: Mark Jenkin), Narrative Featurette, Western Light Pictures
    To The Sea (2013, Dir: Corin Taylor) - executive producer - Narrative Short

    Work Placement Schemes
    606 Distribution (2023-)
    DMS Work Placement Programme (2022-)
    BBC Talent Pool (2020-)
    Beagle Graduate Placement Scheme (2018-)
    DRG Work Placement Programme (2017-)
    Envy Academy Post Production Placement Programme (2017-)
    Screen Cornwall Graduate Shorts Scheme (2017-)
    NBC/Universal Hothouse Placement Programme (2014-2022)
    Big Screen Placement Programme
    Little White Lies Placement Programme
    Warp Films Work Placement Programme

    Training
    BFI Film Academy (Delivery partner) Screen Cornwall, Examiner 2023-2025

    Consultancy and facility services

    Consultant
    Trinity - "4IR Technologies, AI and Essential Employment Skills", 2024

    Contributor
    Screen Cornwall "Catalysing the Cornwall Screen Sector", 2023
    ScreenSkills "Hybrid Work Experience Guidelines for UK Educators (FE and HE) and Screen Industry Employers", 2022

    Professional Engagement

    Independent professional practice

    The Cinematologists

    • Cinematologists, Episode 143: Cannes 2022
    • Cinematologists, Episode 100: 5 Years and One Hundred Episodes
    • Cinematologists, Episode 74: Duck Soup (part of BFI Comedy Season)
    • Cinematologists, Episode 68: Juice
    • Cinematologists, Episode 53: A New Leaf
    • Cinematologists, Episode 52: Fire At Sea
    • Cinematologists, Episode 38: Robocop
    • Cinematologists, Episode 34: The War Room
    • Cinematologists, Episode 23: Blue Steel
    • Cinematologists, Episode 12: Planes, Trains and Automobiles
    • Cinematologists, Episode 10: 12 Angry Men


    Print Journalism

    Wild Style: Looking for the Perfect Beat: Charlie Hearn Interview. In Clash magazine.
    Rio Breaks: Surfing and Surviving in the Favela: Vince Medeiros Interview. In Sabotage Times.
    The Sound Designer: Greg Hedgpath Interview. In Sabotage Times.
    Trust Me: Music, Movies, Marvin Hamlisch and Me. In Clash magazine.
    Fear is the Mindkiller: John Carpenter Interview. In Clash magazine.
    Radio, On: Coldcut Interview. In Clash magazine.
    The Editors: Interviews with Walter Murch, Julian Clarke, Chris Innis and Joe Klotz. In Little White Lies magazine
    We Took Pelham: David Shire Interview. In Shook magazine.
    Music Supervisers: Jon Stewart Interview, In Clash magazine.
    Sound Designers: Ben Burtt Interview. In Clash magazine.
    The Sounds of Sci-Fi: Lalo Schifrin Interview. In Little White Lies magazine.
    Composers: Interviews with Lalo Schifrin, John Cameron, David Shire, Leah Curtis. Amon Tonin. In Clash magazine.
    On Joe Meek: Music Biopics: Nick Moran Interview. In Clash magazine.
    Inside The Hurt Locker: Kathryn Bigelow & Mark Boal Interview. In Little White Lies magazine.
    The Library of Forgotten Anguish: Walter Murch Interview. In Little White Lies magazine.

    Social, community and cultural engagement

    Social, community and cultural engagement


    BBC Radio/BBC Sounds, 2024
    Mel Osborne: Interview, Action Cinema

    BFI: Art of Action Season, 2024
    Introduction, Stunt Man (Albert Leung, 2024)
    Exeter Phoenix
    Newlyn FilmHouse
    Plaza Truro
    Poly Falmouth

    Screenskills Congress, 2023
    Invited Speaker: Broadening Student’s Thinking and Opportunities

    Birmingham University, 2023
    Invited Speaker: Safe Management of Student Film Production

    Screenskills Congress, 2022
    Invited Speaker/Chair: Building a Supportive Community for Talent

    Royal Television Society Public Event, 2021
    Joel Collins: Production Design in BBC/HBO’s His Dark Materials.

    BBC Radio/BBC Sounds, 2021
    Mel Osborne: Interview, Wilderness Feature Film.

    BBC Radio/BBC Sounds, 2020
    Jack Murley: Interview, What Makes a Great Movie Soundtrack?

    ICA: Frames of Representation, 2020

    Aesthetica Film Festival, 2019
    Panel: Dialogues Between Art and Film.

    BFI: Comedy Genius Season, 2018
    Introduction, Duck Soup (McCarey, 1933)
    The Poly

    Royal Television Society Public Event, 2018
    Black Mirror: USS Callister - Anatomy of a Show
    with Director Toby Haynes

    Royal Television Society Public Event, 2018
    Bringing the Funny
    with Producers Izzy Mant (Toast of London, Peep Show, The Windsors) and James Dean (This is Jinsy)

    Aesthetica Film Festival, 2017
    Supporting Independent Feature Film Production

    Engagement with professional associations and societies

    • British Academy of Film and Television Arts (BAFTA Connect)
    • Royal Television Society (RTS)
    • Media, Communication and Cultural Studies Association (MECCSA)
    • British Association of Film, Television and Screen Studies (BAFTSS)
    • Popular Culture Association
    • The International Association of Film and Television Schools (CILECT)
    • National Association for Higher Education in the Moving Image (NAHEMI
    • Kodak, Educational Partner
    • Producers Guild of Great Britain, Educational Partner

    Professional esteem indicators

    Year Description
    2022

    Kingsley Marshall, Development Producer for Myskatonic.
    2023

    Horse Piss for Blood (Writer, Carl Grose), Narrative Feature Film Treatment.
    2022

    Kingsley Marshall, Development Producer for o-Region. BFI Early Development Fund. 
    2020

    External Examiner, Doctor of Philosophy in Film by Practice, Exeter University
    2019

    Executive Producer Mr Whippy (2019, Dir: Rachna Suri), Narrative Short
    2019

    Fellow Royal Society for the encouragement of Arts, Manufactures and Commerce
    2019

    Composer Hard, Cracked the Wind (Short Film, Director Mark Jenkin, 2019)
    2018

    Editorial Board Member Musicology Research Journal (MRJ) (ISSN 2515-981X)
    2018

    External Examiner, University of the West of England
    2018

    Jury Member Rebel Film Festival
    2018

    Producer Backwoods (Short Film, Director Ryan Mackfall, 2018)
    2018

    Reader Nick Darke Writer's Award
    2018

    Chair, Royal Television Society: Devon & Cornwall
    2018

    Staff Excellence Awards, Falmouth University
    2017

    Executive Producer Wilderness (Feature Film, Director Justin Doherty, 2017)
    2017

    Reader Nick Darke Writer's Award
    2017

    Staff Excellence Awards, Falmouth University
    2016

    Jury Member, Student Awards Royal Television Society
    2016

    Reader Nick Darke Writer's Award
    2015

    External Examiner BA (Hons) Film, TV and Digital Production Bath Spa University
    2015

    Jury Member, National Selection Celtic Media Festival
    2014

    External Examiner Revalidation of film and television courses Southampton Solent University
    2014

    Peer Reviewer Journal of Media Practice
    2014

    Reader Nick Darke Writer's Award
    2014

    Peer Reviewer Alphaville Journal
    2013

    Jury Member Films Without Borders