You are using an outdated browser. Please upgrade your browser to improve your experience.

Having trouble viewing in Internet Explorer 11? We're working on this. For the best user experience please try using a different web browser.

Skip to main content Skip to search Skip to menu
HomeStaff profilesDr Neil Chapman
Search
Menu
  • Study
    • Back
    • Study with us
    • Undergraduate
    • Postgraduate
    • Online study
    • International students
    • Research degrees

    Undergraduate Study

    Connect with industry innovators, collaborate across disciplines and learn from practising professionals. Explore our courses. Clearing is...

    Student Funding

    We offer a range of financial support to try and ensure that all students can succeed and fulfil their potential during their studies.

  • Apply
    • Back
    • How to apply
    • Student funding
    • Accommodation

    Preparing for Your Interview

    What's an interview like and how can you prepare? Read our advice and tips and search for course information here.

    Application Toolkit

    Our Application Toolkit holds lots of advice and information about applying to Falmouth University.

  • Experience Falmouth
    • Back
    • Open Days & events
    • Student life
    • Student Voice
    • News & stories
    • About us

    Virtual Experience

    Live outside the UK? Can't visit in person? No problem. Experience Falmouth University on this Virtual Experience page.

    Ask a Student

    Our students are here to tell you all about life at Falmouth. From settling in and studying to making friends and making memories.

  • Research & Innovation
    • Back
    • Discover R & I
    • Our projects
    • Research with us

    How to Apply for a Research Degree

    Whether you’re applying for a MPhil or PhD research degree, find out about the key stages of the application process.

    Launchpad (with MSc Entrepreneurship)

    Drive the development of a high-growth tech start-up, supported by a stipend. Alongside this, you’ll benefit from business guidance, mentoring and...

  • Business collaboration
    • Back
    • Working with industry
    • Launchpad Outreach
    • Academic partnerships

    Launchpad Outreach

    Discover Launchpad Outreach, our fully funded business support programme.

    Working with Industry

    Business support, industry collaborations and impactful innovation. Find out more about how we work with businesses.

  • Support
    • Back
    • Student & staff portal
    • Student support
    • Find us
    • Contact us

    Term Dates

    Find out all the key dates and study blocks for undergraduate, postgraduate and research degrees.

    Accommodation

    Explore all our on and off-campus accommodation options and discover modern, well-equipped spaces designed to fit a range of budgets.

Prospectus

Explore our future-focused undergraduate and postgraduate degree courses by viewing our prospectuses.

How to Apply

Get application information including personal statement advice, interview tips and what to include in your portfolio.

Coronavirus Information

Find out how we're keeping our community safe, and how you can help.

Dr Neil Chapman

Senior Lecturer, Fine Art

Neil Chapman is an artist, writer and researcher. His current work explores material textual practices, artists' publishing, art/philosophy, questions concerning visuality, collaborative method, the evolution and politics of art-research. Neil has an undergraduate degree in Fine Art (Drawing & Painting), experience of studio and exhibiting practice including painting, sculpture, film and installation. He has an MA in Critical Fine Art Practice (Central Saint Martins, 1997). His book Diagrams for Seriality is published by Copy Press (London, 2014) and has been described as a “meditation on the relation of seeing to saying, the possibility and impossibility of communication, and the very business of making and writing”.

In 2011 Neil Chapman completed a funded PhD in Fine Art practice-led research at the University of Reading titled Protowork as Art’s Expanded Writing Practice. In a recent article Katy Macleod (Reader in Fine Art at Kingston University) has written of the PhD that it "presents the event of reading as a taxing encounter with image construction. (Macleod, K. ‘Art Project PhDs’, Theorem, Cambridge School of Art Doctoral Research 2016.)

In collaboration with David Stent (West Dean College, West Sussex) Neil has helped found and has contributed to an ongoing series of residencies, installations and reading/performances under the title Writing As Occupation, exploring the physical demands of writing, reading as performance, broadcast as dissemination, the effects of place and diverse technologies on writing, the ways in which such experiments expose new potentials of collective work.
Neil joined Falmouth University in May 2014. He teaches Fine Art Practice, Critical Studies and Art Research. Currently, he is Director of Studies for Tom Milnes' PhD research (A Media Archaeology of the Photogrammetric Image) and co-supervises three PhD candidates: Rachael Jones (Landscape, Loss and Imagination), Will Parker (inLand: Devising Compositional Strategies Through Field Recording) and Paul Chaney (Embedding the Rural/Urban Dialectic).







  • ScenesAdventures
  • Writing As Occupation
  • Diagrams for Seriality
  • Glossolaris
  • Seven Memos
  • Their eyes travel across the pages and their hearts search out meaning
  • Unsettled By and Open To
  • Writing As Occupation #3
Neil Chapman profile image
Emailneil.chapman@falmouth.ac.uk
Telephone01326 213768 (ext 3768)
  • Qualifications
  • Research Interests
  • Research Outputs
  • Research Students
  • Teaching
  • Policy engagement within Cornwall
  • Business Engagement
  • Professional engagement

    Qualifications

    Qualifications

    YearQualificationAwarding body
    2011
    PhD
    University of Reading
    1997
    MA Fine Art
    University of the Arts, London
    1986
    BA(hons) Fine Art
    Duncan of Jordanstone College of Art and Design

    Honours and awards

    YearDescription
    2006

    University of Reading Post Graduate Scholarship, full funding for for PhD study.

    2004

    London University of the Art, Research Award, funding towards the production and publication of The Ring Mechanism, a book with Book Works, London 2004.

    2002

    City of Westminster Arts Council Bursary for Walking Is the Glue, a film and performance lecture, Curzon Cinema, Shaftsbury Avenue, London

    2000

    London Arts Board Grant, Visual Arts Fund, for collaborative work with Steven Claydon towards an exhibition at Greengrassi, London (Five Works in Lieu of a Particle Accelerator)

    Research Interests

    Research interests and expertise

    Writing in Art Practice
    Over recent years there has been a marked interest in writing as a practice in art. New dialogues and collaborative working processes have appeared across the traditional divisions of literature and art. Institutional interest in such forms has been evident in the term 'art-writing', the status of which remains uncertain. However, in various ways, the histories of artists' engagements with writing processes and textual material extend back much further, constituting a counter-current to mainstream art practices. How do we understand artists' current work with words in the light of these histories? What part does that understanding play in the evolution of the practices themselves? How at different historical moments have artists' writing practices worked as forms of resistance? How might they do so currently? To what extent and in what different ways do diverse writing processes in art practice constitute new branches of art's historic interrogation of the image?

    Art/Philosophy interdisciplinarity
    Certain branches of continental aesthetics prove popular amongst artists and useful in establishing theoretical frameworks. Increasingly, such philosophy appears in art also as material to be worked with. Non-standard or subversive readings of philosophy, fictional treatments of philosophers, unexpected or playful uses of the text: how do such working practices extend or contribute to the philosophical inquiries?

    The evolving status of art-research and criticality in art teaching
    Art-research is a relatively new academic field. With the recent changes in university funding and prevailing business culture, new pressures come to bear. How can art-researchers demonstrate the cultural value of criticality. How is the link between art teaching and art-research to be sustained? What are the challenges posed by new forms of experimental writing in art? As students at graduate and undergraduate levels find new ways of questioning the traditional boundaries between art, writing and research, how is rigorous academic assessment to be ensured?

    The history and theory of collective practice in art
    In which contemporary practices do we best see an affirmation of the as-yet-undetermined future of art? What are the material and practical effects for artists of current neo-liberal ideologies of individualism? As it becomes a standard demand on job descriptions, what is the future of the term 'creativity'? What scope is there for contemporary academic institutions to learn from self-organised structures, workers' cooperatives, the Occupy Movement, strategies that might help maintain the ecologies of research and teaching cultures, diversity and heterogeneity in the institution?

    Research topics

    • Art/philosphy/literature cross-disciplinarity
    • the history and contemporary practice of experimental writing and writing in art practice
    • art-writing and the politics of writing technologies
    • writing as occupation
    • book works and artists publications
    • the contraint
    • Georges Perec
    • darkness as metaphor in art and literature
    • fabulation
    • fictioning
    • philosophy of the diagram
    • art as circuit breaker
    • the evolving status of practice-led research in art
    • politics of collaborative practice
    • philosophies of the image.

    Research Outputs

    Publications and research outputs

    Article

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) Mostish Will Speak on Darkness. Haunt Journal of Art, 4. pp. 42-50. ISSN 2334-1165
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2016) Art • Writing • Diagrammatics. Theatre, Dance and Performance Training, 7 (2). pp. 247-252. ISSN 1944-3919
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2015) Insiders. E.R.O.S., 2015 (7). pp. 295-303. ISSN 2048-8352 Item availability may be restricted.
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Macleod, Katy (2014) The Absenting Subject. Journal of Visual Arts Practice, 13 (2). pp. 138-149. ISSN 1470-2029 Item availability may be restricted.
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Jaeger, Peter, Norwood, Tamarin, Pester, Holly, Kivland, Sharon, Jelili, Sami and LaMarre, Rebecca (2014) Jonah's Booth. Their eyes travel across the page and their hearts search out meaning, n/a (n/a). ISSN n/a
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola (2014) Day. A Poem A Day, n/a (n/a). p. 21. ISSN n/a
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2010) Labyrinth: Excerpts 54-66. Artvehicle, n/a (51). ISSN n/a
    [img]

    Book Section

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Hughes, Sarah, Stent, David, Pester, Holly and Davies, Angharad (2015) Vectors. In: Angharad Davies Rydal Mount. Compost and Height, West Dean, pp. 5-11. ISBN no isbn Item availability may be restricted.
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Lally, Colm and Zaman, Rehana (2013) Neil Chapman in discussion with Rehana Zaman / Colm Lally in discussion with Neil Chapman. In: Proto-tools 1 Transcription, 16-17 November 2013 Flat Time House. Proto-tools . Event Media Projects, London, pp. 86-96. ISBN 978-0-9576627-1-1
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2013) ‘Patent Pursuit of Smoothness’. In: E:vent, 2003-2011. E:vent Media Projects, London. ISBN ISBN 978-0-9576627-0-4
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2010) Glossolaris. In: Glossolaris. AND Publications, London. ISBN ISBN 978-1-907840-03-6
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola (2010) BLOODCRYSTALPOLLENSTAR. In: Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgn, pp. 286-309. ISBN 9780748638383 (In Press)
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2008) Library Notes. In: Has Man a Function in Universe: Strategic Question #2. Strategic Questions, n/a (n/a). Book Works and Eastside Projects, Birmingham and London. ISBN ISBN 978 1 870699 88 4
    [img]

    Conference or Workshop Item

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) Untimely findings: Art-research and the Extra-disciplinary. In: Paradox Conference London 2017, 13th to 15th September 2017, Conway Hall, Red Lion Square, London. (Unpublished)
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2016) Writing Beyond Art. In: Words of Art, 29th November 2016, UAL Wimbledon. (Unpublished)
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2016) Writing As Occupation #3: (Artists Talk). In: force8, 1st September 2016, Methodist Chapel (force8 project space) West Bay, Dorset. Item availability may be restricted.
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2016) Five Layers of Looking. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. (Unpublished)
    [img]

    Book

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2014) Diagrams for Seriality. 7 . Copy Press, London. ISBN 978-1-909570-00-9 Item availability may be restricted.
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola (2013) Spillways, Pedways, Silos. Good Press & Publication Studio, Malmö. ISBN 978-91-87577-03-1
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola (2013) Earth Motifs, Shallow Designs, Outlands. Landscape Series . Publication Studio, Malmö. ISBN ISBN 978-91-977853-9-6
    [img]

    Artwork

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2017) Antelope Hotel. [Artwork]
    [img] [img]
    +2 more...

    Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2015) Diagramma Enflamma. [Artwork]
    [img] [img]
    +1 more...

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2013) Displacement Activity. [Artwork]
    [img]

    Exhibition

    Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2015) Enflamma Diagra. [Exhibition]
    [img] [img]

    Performance

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2016) Writing As Occupation #3 (performance/installation). [Performance]
    [img] [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2016) Insiders (reading-performance). [Performance]
    [img]

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Stent, David and Farmer, Patrick (2014) Writing As Occupation #2. [Performance]
    [img] [img]
    +1 more...

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2013) Displacement Activity. [Performance]
    [img]

    Website Content

    Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Berridge, David (2011) Memo Seven. [Website Content]
    [img] [img]
    +1 more...

    Other

    Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.
    [img] [img]
    +5 more...

    Events

    YearDescription
    2018

    With colleagues from Goldsmiths and Linnaeus University, Sweden, a contribution to 'Multispecies Storytelling conference, Växjö, Sweden, 2019.

    Research Students

    Current research students

    Director of Studies for Tom Milnes,  Algorithmic Aberrations: A Media Archaeology of the Photogrammetric Image through Error
    Co-Supervisor for Rachael Jones, Landscape, loss and imagination: the potential for an experimental documentary to explore and invigorate cultural connections with the landCo-Supervisor for, Will Parker, inLand: Devising Compositional Strategies Through Field Recording, Anthropological Fiction and Fabulation.

    Previous student supervision

    Roderick Harris, Dissociative Methodology as Synthetic Assemblage: A pseudo-systematised inquiry into plastic and the zed, Kingston University, 2014.

    Number of research students supervised to completion

    1

    Research degrees examined

    Bram Arnold, Walking Home: The path as transect in an 800km autoethnographic enquiry
    John Hartley, The Thalassocentric Apparatus: Connected art processes from the sea showing multi-scale changes through their own emergence and collapse
    Katrina Brown, Intersect/surface/body: A Choreographic View of DrawingMatthew Lunt, Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens
    Paul Raynolds, A Practice Based Inquiry into a Taxonomy and Ontology of Holes in Devoré-Lace

    Number of research degree examinations

    5

    Teaching

    Areas of teaching

    • Art practice
    • history of art
    • philosophical aesthetics
    • history of ideas
    • critical theory
    • art contextual studies
    • art-research
    • art writing

    Courses taught

    • Fine Art BA(Hons)

    Policy engagement within Cornwall

    Engagement with organisations which contribute to the development of educational, cultural or socio-economic policies in Cornwal

    Collaborative work with Falmouth Art Gallery developing younger audiences, showcasing local publisher and helping facilitate public talks and workshops (as part of FOMO: Falmouth Art Publishing Fair, 2017.

    Business Engagement

    Business start ups

    Member of Copy Press Publishing community

    Professional engagement

    Independent professional practice

    SELECTED PUBLICATIONS

    The Absenting Subject: Research Notes on PhDs in Fine Art, with Katy Macleod (research undertaking with funding from Kingston University) Journal of Visual Art Practice, Vol. 13, Issue 2, 2014, pp. 138-149.

    Jonah's Booth, text fragments and images for Their eyes travel across the pages and their hearts search out meaning, edited by Sharon Kivland & Sami Jelili, London: Eros Press, 2014.

    Blank Page, conference paper for Species of Spaces: Transdisciplinary Approaches to the Work of Georges Perec, Teeside University, Middlesbrough (March 2014)

    Colm Lally in conversation with Neil Chapman, Proto-Tools 1 Transcription 16-17 November 2013 Flat Time House, London: E:vent Media Project, 2014

    Patent Pursuit of Smoothness, a text-work in response to archival documents for E:vent, Colm Lally (ed.) London: E:vent Media Projects, 2013, ISBN 978-0-9576627-0-4

    Spillways, Pedways, Silos, artists’ book written, edited and designed with Ola Ståhl, Malmö: Good Press & Publication Studio, 2013, ISBN 978-91-87577-03-1

    Diagrams for Serialty, edited by Yve Lomax & Vit Hopley, London: Copy Press, 2014, ISBN: 978-1-909570-00-9

    Displacement Activities, newspaper publication; a series of fictions written with David Stent in response to 35mm slide images exchanged between the authors, published to coincide with Nancy Holt & Robert Smithson: England and Wales 1969 at John Hansard Gallery, Southampton (10 May - 17 August 2013) London: ScenesAventures, 2013, ISBN: 978-0-9544901-5-7

    Earth Motifs, Shallow Designs, Outlands, an artists book with Ola Ståhl, Ola Ståhl & Terje Östling (series editors), Malmö: Publication Studio, 2013, Landscapes Series, ISBN 978-91-977853-9-6

    The Surface | The Project, a text-work in response to archival documents for Victorian Gardening, Verina Gfader (ed.), London: ScenesAdventures & E:vent Gallery, 2012

    Memo Seven, an online project for Very Small Kitchen curated by David Berridge, December 2011 

    The Execution of Kurt Steiner, with Carl Lindh & Ola Ståhl, A5 booklet with text, sound files (download: http://www.ineditmode.com), Malmö: In Edit Mode Press, ISBN 978-91-977853-3-4

    Ten Vow, a contribution in text and image for Chinese Whispers, Ola Ståhl & Carl Lindh (eds.), Malmö: In Edit Mode Press, ISBN: 978-91-977853-2-7

    Glossolaris, artists book, London: AND Publishing, November 2010, ISBN 978-1-907840-03-6

    The Müleskinders: Overseers of the Hybrid Repository, an online project with David Stent for Digital Hybridity, D-MARC: Digital and Media Arts Research Centre, University of Derby

    Labyrinth: Excerpts 54-66, a feature for ArtVehicle online Journal written with David Stent, ArtVehicle 51, http://www.artvehicle.com, July 2010

    BLOODCRYSTALPOLLENSTAR, chapter with Ola Ståhl for Deleuze and Contemporary Art, Simon O’Sullivan & Stephen Zepke (eds.), Edinburgh University Press, 2010, ISBN-13 978-0748638376

    Library Notes, visual essay for Has Man a Function in Universe: Strategic Question #2, Gavin Wade (ed.), co-published by Book Works/Eastside Projects, 2008, ISBN 978 1 870699 88 4

    One Thousand Occasion of Style, Plastasine Fantasine, produced by David Burrows in association with Article Press, for the occasion of Art Writing Beyond Criticism, a one-day event at the ICA London (May 2008)

    Counter Arguments, Use This Kind of Sky, a project curated by Paul Eachus and Nooshin Farhid, http://www.usethiskindofsky.com

    Untitled, Use This Kind of Sky, sound piece for '/seconds', online journal, edited by Nooshin Farhid,  

    Doubling Back, an essay for Inventory Vol. 5, Nos. 2&3, 2005, ISSN 1359 – 7671

    The Ring Mechanism, book published in an edition of 1000 by Book Works, Chap Book series, June 2004, ISBN: 1 870699 71 8

    Occasional Sights, a book by Anna Best, Anna Best & Neil Chapman (eds.), London: The Photographer’s Gallery, November 2003, ISBN: 0 907879 66 7

    The Clandestine Drill, London: ScenesAdventures, 2003, ISBN 0-9544901-0X, an artists book to coincide with the exhibition Four plus: writing DNA, TwoTen gallery, London

    An Asterisk Placed Centrally on the Page, catalogue essay, Four Plus: Writing DNA

    The Approach, essay with Steven Claydon for Inventory, Vol. 3 Issue 3, 1999, ISSN: 1359 7671

    The Opposite of a Good Idea, Feature:, Inventory Vol.3 Issue 2, 1998. ISSN - 1359 - 7671

    READINGS, PERFORMANCES AND EVENTS

    Developing and Contact, a Copy Press Reader's Union event discussing Diagrams for Seriality (Neil Chapman, Copy Press, 2014), Housmans Bookshop, London (July 2015)

    Sheppard, performance-lecture for Unsettled By And Open To, a study day on art writing, hosted by X Marks the Bökship, Matt’s Gallery, London (July 2014)

    Jonah's Booth, a reading/performance for Their eyes travel across the pages and their hearts search out meaning, Senate House Library, curated by Sharon Kivland & Sami Jelili (April 2014)

    Jonah's Booth, text fragments and images for Their eyes travel across the pages and their hearts search out meaning, edited by Sharon Kivland & Sami Jelili, London: Eros Press (2014)

    Writing as Occupation 2, for Audiograft Festival of Sound Art, Oxford, with David Stent and Patrick Farmer, http://www.audiograft.co.uk/ (April 2014)

    Spillways, Pedways, Silos, reading performance with Ola Ståhl to coincide with the publication (same title), Krets, Kristianstadsgatan 16, 21423 Malmö, Sweden (August 2013)

    Untitled improvised reading as part of Displacement Activities, Bang the Bore, sound and performance improvisation event, 15 June 2013, John Hansard Gallery, Southampton (June 2013)

    Uncommon Encounter talk/performance for Common Intellectual, Copy Press Launch event, Conway Hall London (May 2012)

    Outlands, poster and performance score with Ola Ståhl for group exhibition THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND! | Plastique Fantastique Communique, curated by Simon O’Sullivan and David Burrows, ASC Gallery, London (Performers: David Burrows, Matt Gilford, Emily Rosamond and Avako Koide, 8 June - 3 August 2013)

    The Müleskinders: Proto-Publication, installation with David Stent, Diagrammatic Form, Banner Repeater, London E8 (June-August 2013)

    Barricade Reading, installation, performance, readings, live writing with David Stent, Writing as Occupation residency, Meantime Project-Space, Cheltenham (April 2011)

    A*Proximate Writing, a one-day event with David Stent, Writing as Occupation residency (with images from Jean-Luc Godard's Histoire(s) du Cinema, (1988-1998) Meantime Project-Space, Cheltenham (April 2011)

    Broadcast Approximant, live web radio improvised reading with David Stent, Writing as Occupation residency, Meantime Project-Space, Cheltenham (April 2011)

    A*Proximate Broadcast, live web radio improvised reading with David Stent, Writing as Occupation residency, Meantime Project-Space, Cheltenham (April 2011)

    Cones, Performance/Reading Experiment with Nooshin Farhid, Banner Repeater, London (October 2011)

    Whatever Happened to Kurt Steiner? #3, improvised sound and reading performance with Ola Ståhl for Germ Free Youth Passport, Ptarmigan project space, Tallinn, Estonia (August 2011)

    Whatever Happened to Kurt Steiner? #2, improvised sound and reading performance with Ola Ståhl for Experimental Sound Duos, Ptarmigan project space, Tallinn, Estonia (August 2011)

    Whatever Happened to Kurt Steiner? #1, improvised sound and reading performance with Ola Ståhl for Aurally and Audaciously: Sound and Performing Art, Harakka, Finland (August 2011)

    The Execution of Kurt Steiner, reading/performance with Carl Lindh & Ola Ståhl, Malmö, In Edit Mode Press, Ystadvägen 13, Dalaplan (July 2011)

    BLOODCRYSTALPOLLENSTAR, performance/presentation with Ola Ståhl for the 4th International Deleuze Conference, Copenhagen (July 2011)

    Precarity: A Participatory People's Tribunal, contributor with the Precarious Workers Brigade, a one-day event a the ICA London (March 2010)

    El Topo, contribution to The Known Unknowns, a cycle of readings curated by Francesco Pedraglio for Volatile Dispersal: Festival of Art Writing, Whitechapel Gallery, London, E1 (November 2010)

    Sin Podium: Speaking of Writing, a one-day conference, with David Stent, curated from proposals submitted by PhD candidates, taking issue with established forms of writing and presentation, University of Reading (May 2009)

    Several Points on Chisholm's Notation, performance/presentation for Art Writing Beyond Criticism, a one-day event at the ICA London, organised by David Burrows, (May 2009)         
    Silken Müd, webstream and FM radio broadcast, with David Stent, University of Reading (January 2007)

    Into the Plasma Pool, sound installation, for group exhibition, Strange Events Permit Themselves the Luxury of Occurring, selected by Steven Claydon, Camden Arts Centre, London NW3 (2006)

    The Devil’s Weed Plants, mixed media, with Steven Claydon for If it didn't exist you’d have to invent it: a partial Showroom History, The Showroom, London E2

    Doubling Back, sound recording for Use This Kind of Sky, broadcast on Resonance Radio, 23 November, curated by Nooshin Farhid and Paul Eachus

    Writers And Their Works, a poster design, for Tipos Mobiles, 39 Gallery London EC1, curated by Jaime Gili

    Writers And Their Works, A0 edition of posters, for Tipos Mobiles, a poster project by Jaime Gili, Buenos Aires, Caracas, London, www.jaimegili.org

    The Sum of The Earth, London Art Fair, with Steve Claydon, represented by Hoxton Distillery (2003)

    Imaginative Insults, sound recording broadcast on Resonance 104.4 FM (April 2003)

    In the Gathering Darkness, contribution with Steve Claydon for The Poster The Show, 1,2,3…, group exhibition, Hoxton Distillery London E8 (2003)

    The Song Of The Whale sound installation, commission, The Wellcome Trust, for group exhibition, Four Plus: Writing DNA, TWOTEN Gallery London (2003)

    Lexicon, Song, Into The Plasma Pool, Talking Letter. Three sound pieces and one video for BROADCAST: Radio/Sound event, curated by Anthony Iles and Craig Martin, Cubit Space, London, N1 (May 2002)

    TEACHING WORKSHOPS

    Occasional Sights, a talk and workshop delivered with artist Anna Best for Travelogue Summer School, Porto, Portugal (August 2015)

    Textual Errors, programmed by Maria Fusco, Whitechapel Gallery, London (2009)

    Social, community and cultural engagement

    Dissent and the Ecology of Ideas, a talk for the Independent School of Art, Penryn, Cornwall, 5 February

    Related courses

    Course
    Course

    Fine Art BA(Hons)

    Fine Art at Falmouth has pioneered a culture of creative thinking and innovation for more than 100 years, challenging students to develop an art...

    EmailFacebookTwitterLinkedInMessenger
    • Courses
    • Departments
    • Staff
    • Academic partnerships
    • Jobs
    • Corporate information
    • News
    • Alumni
    • Contact
    • Find us
    • Events
    • Staff & Student Portal
    • Falmouth Campus
      Woodlane, Falmouth
      Cornwall TR11 4RH
      01326 211077
    • Penryn Campus
      Treliever Road, Penryn
      Cornwall TR10 9FE
      01326 370400
    © Falmouth University 2021
    • Accessibility Statement
    • Data Privacy
    • Copyright
    • Terms of Use
    • Cookie Policy
    • Student Regulations

    TEF Gold Logo