Dark Economies

Dark Economies

Real world challenges that impact on our collective experiences such as climate change, the dark web, Capitalism and Patriarchy force us to rethink the relationships we have with ourselves, others, and our global environments. How do we live with and envisage these dark times? 

Research and innovation in this programme explores the story-worlds we create to express our fears and anxieties through representations and fictions about death, crime, the Gothic, horror, sci-fi, and the dystopian. What monsters are created through inequality, poverty and prejudice and what do they tell us about the times we live in?

Programme overview 

This research group examines ways in which our collective experience and future are informed and shaped by darkness. We address the ways in which darkness impacts on various aspects of our lives, livelihoods and experience, mobilising the 'dark' to help tackle some of the key economic, psycho-social and cultural challenges that we face. 

We have a wide cross-disciplinary and transdisciplinary remit: from a study of death cultures; mental health problems; economic and environmental studies; cryptocurrencies, the dark web; dark tourism; art-based, audio and narrative articulations of the dark; from social interaction to the effects of new technologies and emergent social conventions on memorialisation, mythology, death, dying and loss. The challenges of all sorts of dark economies impact on humans all over the globe.

The research group aims to address and question our dark times by exploring how creativity, practice, scholarship, and technology can impact in a positive way on individuals and into national and global realms. 

In particular we ask:

  • How can we apply aspects of the dark economy as a creative bridge to kickstart emergent technologies, creative practices and inter-personal narratives? 
  • How can dark narratives bridge diverse media and art platforms and bring inter- and transdisciplinary creativity, scholarship and practice into play? 
  • How can we use creative practices and dark mythologies as tools for negotiating death, inequality, prejudice, and the crises that beset us in the twenty-first century? 
  • What stories can be explored, mobilised and created in relation to dark economies? 
  • How can the dark economy inform the development and success of new technologies such as AR, VR and various forms of digital humanities? 
  • How can darkness be redeployed as creativity and innovation?

Research undertaken by our projects helps us understand and negotiate the world better. It enables us to deconstruct, recreate, and redeploy narratives and experiences of darkness in order to enhance our lived and imagined understanding of the world. 

Programme lead

Dr Ruth Heholt: profile image
Dr Ruth Heholt

Dr Ruth Heholt


Ruth Heholt is senior lecturer in BA(Hons) English. She has published on ghosts and the Gothic and works on Victorian literature and culture as well as contemporary texts. Some of her recent work has examined Victorian ghost stories and masculinity, haunted houses and ghost hunting television programmes. 

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Projects

Some of the projects within this programme include:

Illustration of devil mowing
Folk Horror project image

Folk Horror in the 21st Century

Culminating in a two-day conference in 2019, Folk Horror in the 21st Century explored all aspects of...

Folk Horror in the 21st Century
On The Hill - each letting in a black headstone
On The Hill card

On The Hill

On the Hill is a podcast that brings together historical research and original writing as a means to...

On The Hill
Dark Sound Main Image
Dark Sound: Destructive Pop 2015 Photograph by Erwan Durand

Dark Sound: Feminine Voices in Sonic Shadow

This book by Senior Lecturer, D Ferrett, explores the cultural and historical association between wo...

Dark Sound: Feminine Voices in Sonic Shadow
Alfred Hitchcock film Rebecca
Alfred Hitchcock Rebecca

Hitchcock's Rebecca at 80


Falmouth University will host a two-day conference from 23-24 June 2022 covering a of range topics as diverse as Franz Waxman's music, early Television adaptations and the way in which the landscape of the novel was realised for Hollywood. Delegates confirmed to attend and present including film studies luminaries such as Laura Mulvey, Helen Hanson, Janet Bergstrom and others.

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PhD & MPhil researchers

Our PhD and MPhil researchers aligning with the Dark Economies programme include:

 

Name

Thesis title
Duncan Yeates Visions of Carn Brea: Romanticism and Industrialisation in the poetry of John Harris 

Research opportunities 

Alignment criteria​

We accept proposals for MPhil or PhD study in areas such as dark technologies, death/dying/grief, the Gothic and/or horror, crime studies, the dark web, folklore and mythology. Proposals for studies that address global/national challenges such as climate change, capitalism, totalitarianism, terrorism, surveillance, migration, poverty, inequality and injustice are also welcomed.  

How to apply​

Applicants may apply by submitting a project idea of their own or by responding to one of our Falmouth Doctoral Project briefs.

View all opportunities

 

Research Repository

Falmouth University’s Research Repository (FURR) hosts, preserves and provides open access to our publicly available collection of University produced research materials, for the benefit of staff students, the wider field and general public.

Dark Economies in FURR

Access all current and historic research materials published in association with the Dark Economies programme and its portfolio of research and innovation projects.

View FURR
Illustration of devil mowing