Associate Professor
BA (Wales) PhD (Birmingham)
The Digital Economy Research Centre
Keywords: Sound Studies; Acousmatic Music; Music Production; Sound Art; Sound Design
My research is focused on the relationship between sound and space. My background as an electroacoustic composer strongly informs this theme and I continue to create pieces for instruments, fixed media and live electronics, which explore the use of space as a fundamental parameter of the composition. Recent work in this area has concentrated on binaural, headphone-based pieces as well as multi-channel performances and installations for a variety of formats including ambisonics. Current work also includes the exploration of the direct manipulation of acoustics as a means of composition.
2010 Tranquillity is a State of Mind. Presentation of Wellcome Trust funded liminal project. Arup Acoustics, London
2009 Black Water Brown Water (Book and CD). Acts of Language. ISBN 978-0-9561844-4-3; Commissioned by British Waterways/ Stourport Regeneration. Permanent headphone piece, broadcast on RADIA (network of 18 international radio stations and selected for high-light of the year, December 2008). Subsequently published by Acts of Language (see publication details above).
Other Spaces (2009) - for solo piano. Commissioned by Catherine Laws. Funded by PRS Foundation. Performances 2009/10 - The Sherwell Centre, Plymouth, The Warehouse, London, ICIA, Bath, UCF, Dartington Campus, York Spring Festival of New Music.
Other Places (2009) - Eight Channel acousmatic piece. Commissioned by Lunapark Ensemble. Performances 2009/10 - November Days, Den Borsch, Musikgebau, de Doelen, Rotterdam.
Prior, David (2008) ‘A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening' In Ripley, Colin, Polo, Marco and Wrigglesworth, Arthur (Eds) In The Place of Sound: Architecture | Music | Acoustics. Cambridge Scholars Publishing. ISBN 9-781847-183-750
2011 Sound designer for Heartlands mine development, Pool, Cornwall.
2010 Tranquillity is a State of Mind. Multi-disciplinary research team coordinated by liminal (Frances Crow and David Prior), in partnership with Sustrans, funded by the Wellcome Trust
International Computer Music Association
Partner: liminal; Director: Sound Art Radio
I am currently supervising five research students and have supervised to completion three PhD candidates. I have examined two PhD candidates and one MPhil candidate.
I am particularly interested in supervising research in the following area(s) :
Sound in culture; the history and influence of sound recording; acousmatic music and its legacy; sound art and design
I am a partner in liminal, a practice which explores the relationship between sound and space. Liminal's The Organ of Corti has been short-listed for the PRS Foundation New Music Award.
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